Loading
Loading

Results

  • Physical theatre
Sort By:  1-10 of 70 (7 pages)
Results per page:
         

The Circus Actor: Towards a Cognitive Approach

Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

Books

...Translation by Alexandra Teissier...

Exploring Ways of Being: Efforts and Other Codes

Vanessa Ewan

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Search for publications
and

Debbie Green

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Search for publications

Actor Movement: Expression of the Physical Being : A Movement Handbook for Actors

Bloomsbury Methuen Drama, 2015

Books

...Part One: Laban’s Efforts of Action DriveThis is a process for the actor to acquire a deep physical understanding of Laban’s Eight Efforts of Action Drive. One Effort is examined in detail as a template for how the other seven Efforts might...

Introduction: Complexity, Cognition, and the Actor’s Pedagogy

Victor Jacono

Victor Jacono is a theatre maker, educator and researcher focusing primarily on the actor's pedagogy and performative creativity. He obtained a PhD in Performance Studies from Sapienza University of Rome, Italy. Author affiliation details are correct at time of print publication.

Search for publications

Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

Books

...We see ourselves as process immersed in process beyond ourselves … Process is the immanence of the infinite in the finite. Matthew Goulish ,...

A Character’s Emotional Journey: Solo Dance

Vanessa Ewan

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Search for publications
and

Debbie Green

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Search for publications

Actor Movement: Expression of the Physical Being : A Movement Handbook for Actors

Bloomsbury Methuen Drama, 2015

Books

...Ewan’s process of work in the studio with the actors.Inner responses that do not feature in the play often get left to instinct instead of being physically explored. The path to a moment of outward expression may be ambiguous or inexplicit,...

Observation and Translation

Vanessa Ewan

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Search for publications
and

Debbie Green

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Search for publications

Actor Movement: Expression of the Physical Being : A Movement Handbook for Actors

Bloomsbury Methuen Drama, 2015

Books

...As a translator of ways-of-being in the world, the actor requires detailed and efficient processes of collecting and bringing as much as possible of the world into the studio. Ewan’s process of work in the studio with the actors...

In the Movement Studio

Vanessa Ewan

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Search for publications
and

Debbie Green

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Search for publications

Actor Movement: Expression of the Physical Being : A Movement Handbook for Actors

Bloomsbury Methuen Drama, 2015

Books

...Conflict exists all the time in the body, between the mind, the emotions and external forces. The work in the studio must reflect this and actively prepare the actor for that complexity. Conflict can be an actor’s best friend. It should...

Actor Movement

Vanessa Ewan

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Search for publications
and

Debbie Green

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Search for publications

Actor Movement: Expression of the Physical Being : A Movement Handbook for Actors

Bloomsbury Methuen Drama, 2015

Books

...The actor comes to acting with a personal physical history which includes skills gained through life. It is likely that some of these will be as a result of different sports or dance activities. Recognizing what is of value to him...

Connecting with the Body

Vanessa Ewan

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Search for publications
and

Debbie Green

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Search for publications

Actor Movement: Expression of the Physical Being : A Movement Handbook for Actors

Bloomsbury Methuen Drama, 2015

Books

...This chapter looks at the fundamentals of movement. The actor learns through ‘doing’. He develops an inner relationship with movement, either through group oriented work or by listening, in silence, to his body breathing and moving...

Seeking Neutral

Vanessa Ewan

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Search for publications
and

Debbie Green

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Search for publications

Actor Movement: Expression of the Physical Being : A Movement Handbook for Actors

Bloomsbury Methuen Drama, 2015

Books

...The exploration of Neutral is the search for an alert state of embodiment, a way of being which holds no particular persuasion and yet contains all possibilities. The actor may undergo significant personal change. The movements that have...

A Rope over an Abyss

Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

Books

...These insights into the underlying levels of my work in Performance pedagogy are the fruit of a 21-year-long collaboration with my friend and colleague, neuroscientist Professor Richard Muscat, Pro-Rector of the University of Malta...