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‘The organic and the technical’: A psychophysical approach to television acting

Tom Cantrell

Dr Tom Cantrell is Senior Lecturer and Deputy Head of the Department of Theatre, Film and Television at the University of York, UK. He has published on modern British drama on stage and screen, documentary theatre and acting processes. Author affiliation details are correct at time of print publication.

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Exploring Television Acting

Bloomsbury Publishing, 2018

Books

...Introduction Jason Watkins is a familiar face on British television and has been particularly associated with his comic roles...
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...In Twelfth Night and As You Like It, actress Joely Richardson investigates (with a major contribution from her mother, Vanessa Redgrave) the legacy of the two great comedies and the great comic heroines created by Shakespeare in those...
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...In Hamlet, David Tennant, whose own RSC performance was a huge hit, meets other actors who have played the role - from the legendary David Warner in the 1960s to the recent Jude Law. He also tries, alongside Simon Russell Beale and Ben...

How To Write About Your Bias

Mark Fisher

Mark Fisher is one of Scotland’s foremost commentators on the arts. With over 25 years’ experience, he is the Scottish theatre critic for The Guardian, a former editor of The List and a freelance contributor to Variety, The Scotsman and Scotland on Sunday. He is the author of The Edinburgh Fringe Survival Guide (“A wonderfully practical but also inspirational book full of good advice” - Lyn Gardner, The Guardian) and the co-editor of Made in Scotland, an anthology of plays published by Methuen Drama. Author affiliation details are correct at time of print publication.

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How To Write About Theatre : A Manual for Critics, Students and Bloggers

Bloomsbury Methuen Drama, 2015

Books

...The moral majority? The unnamed critic who reviewed the 1757 Covent Garden revival of Aphra Behn’s The Rover for The London Chronicle made it sound a hoot. They described with a ribald wit the reaction of the audience to an actor...

How To Write About The Audience

Mark Fisher

Mark Fisher is one of Scotland’s foremost commentators on the arts. With over 25 years’ experience, he is the Scottish theatre critic for The Guardian, a former editor of The List and a freelance contributor to Variety, The Scotsman and Scotland on Sunday. He is the author of The Edinburgh Fringe Survival Guide (“A wonderfully practical but also inspirational book full of good advice” - Lyn Gardner, The Guardian) and the co-editor of Made in Scotland, an anthology of plays published by Methuen Drama. Author affiliation details are correct at time of print publication.

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How To Write About Theatre : A Manual for Critics, Students and Bloggers

Bloomsbury Methuen Drama, 2015

Books

...Theatre as a social event In 1709, we find writer and publisher Sir Richard Steele in the first issue of the Tatler describing a performance of William Congreve’s comedy Love for Love. His first concern was not the play but who...

Creating Spaces: Conversations with Judith Adams and Karen Christopher

Eilon Morris

Eilon Morris is a core member of DUENDE and OBRA Theatre Co, in which he works as a performer, composer and trainer. A percussionist and theatre practitioner, Eilon completed a PhD at Huddersfield University in 2013 examining the role of rhythm in psychophysical actor training and has contributed to the book Encountering Ensemble (2013) as well as having work published and presented in Stanislavski Studies, Total Theatre Magazine and at various international conferences. Eilon performs and teachers throughout Europe, presenting workshops and masterclasses at universities and other training centres. Author affiliation details are correct at time of print publication.

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Rhythm in Acting and Performance : Embodied Approaches and Understandings

Bloomsbury Methuen Drama, 2017

Books

...Judith Adams Talking with the playwright Judith Adams about her approaches to writing a script she explains: I like to be working with a group of people...

Adaptation and the Theatre

Frances Babbage

Frances Babbage is Reader in Theatre and Performance at the University of Sheffield, UK. She has published widely on performance, adaptation and rewriting and is the author of Re-Visioning Myth:Modern and Contemporary Drama by Women (2011) and Augusto Boal (2004). Author affiliation details are correct at time of print publication.

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Adaptation in Contemporary Theatre : Performing Literature

Bloomsbury Methuen Drama, 2018

Books

...Adaptation finds a natural home in the theatre. Here, audiences expect and want retellings: reproduction and reinterpretation are central to theatre’s raison d’être. In the Darwinian sense of the term, adaptation signals that rather than ‘a...

The Tune Is a Framework: A Conversation with Chris Coe and Frankie Armstrong

Eilon Morris

Eilon Morris is a core member of DUENDE and OBRA Theatre Co, in which he works as a performer, composer and trainer. A percussionist and theatre practitioner, Eilon completed a PhD at Huddersfield University in 2013 examining the role of rhythm in psychophysical actor training and has contributed to the book Encountering Ensemble (2013) as well as having work published and presented in Stanislavski Studies, Total Theatre Magazine and at various international conferences. Eilon performs and teachers throughout Europe, presenting workshops and masterclasses at universities and other training centres. Author affiliation details are correct at time of print publication.

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Rhythm in Acting and Performance : Embodied Approaches and Understandings

Bloomsbury Methuen Drama, 2017

Books

...Talking with Chris Coe and Frankie Armstrong about their rich experiences and understandings of rhythm in singing and voice work, we reflect on the relationships between melody, phrasing, movement and imagination. Coe begins by explaining...
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...Age recommendation: 3+ Recording from the National Theatre Archive, 2015. Bear's hat is gone. He loves his hat. He wants it back. He asks all the animals in the forest, but no one has seen it. WAIT! He has seen it somewhere... Based on Jon...

Nicolás Núñez: Becoming Present

Eilon Morris

Eilon Morris is a core member of DUENDE and OBRA Theatre Co, in which he works as a performer, composer and trainer. A percussionist and theatre practitioner, Eilon completed a PhD at Huddersfield University in 2013 examining the role of rhythm in psychophysical actor training and has contributed to the book Encountering Ensemble (2013) as well as having work published and presented in Stanislavski Studies, Total Theatre Magazine and at various international conferences. Eilon performs and teachers throughout Europe, presenting workshops and masterclasses at universities and other training centres. Author affiliation details are correct at time of print publication.

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Rhythm in Acting and Performance : Embodied Approaches and Understandings

Bloomsbury Methuen Drama, 2017

Books

...The work of Nicolás Núñez and the Taller de Investigación Teatral (Theatre Research Workshop or TRW) is focused on the application of sacred practices within the secular context of theatre and acting. Founded in 1975 by Núñez and a group...