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Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney and Berlin

Postdramatic Theatre and the Political : International Perspectives on Contemporary Performance

Bloomsbury Methuen Drama, 2013

Books

3

... a concept which we argue elsewhere has been misleadingly translated as ‘Alienation-Effects’, rather than, say, ‘Defamiliarisation-Effects’. Meg Mumford...

Conclusion

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

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Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

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Mark Taylor-Batty

Mark Taylor-Batty

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and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

0

...Authenticity-Effects and encounter with the unfamiliar at the HAU Theatre of Real People produced by or hosted at the Hebbel am Ufer (HAU) during Matthias...

Encounters with Cultural Diversity at the HAU

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

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Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

0

...The Hebbel am Ufer (HAU) under Matthias Lilienthal established a reputation as a production house firmly committed not only to addressing contemporary social topics, but also to encouraging an openness to artistic and cultural diversity...

Getting Closer to the Subjects of Migration: Partial Proximity in Blackmarket No. 7 and Mr Dağaçar and the Golden Tectonics of Trash

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

0

...In our analysis of Hebbel am Ufer (HAU) performance formats and productions to this point, we have paid particular attention to cultural encounters that provide opportunities for audience members to experience what they regard as their own...

Unsettling Journey into the Unfamiliar: Ambiguous Guides to the City in Call Cutta: Mobile Phone Theatre

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

0

...Unlike X-Apartments and 100% City, which encourage engagement with between a dozen and a 100 unfamiliar people, Call Cutta: Mobile Phone Theatre (Call Cutta. Mobiles Telefontheater) enables an intensive one-on-one encounter...

Theatre and Authenticity-Effects

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... this demonstration and functions more directly (Wetzel, in Gronau 2006: 14). In a 2010 interview with Ulrike Garde, Wetzel’s collaborator Helgard Haug’s response to the suggestion that the group’s work with experts of the everyday often...

Berliners with an ‘Authenticity Guarantee’: Cultural Complexity in 100% Berlin and 100% City

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

0

...In 2008, for the Hebbel Theater’s 100th birthday, Helgard Haug, Stefan Kaegi, and Daniel Wetzel developed 100% Berlin: A Statistical Chain Reaction (Eine statistische Kettenreaktion), which presented 100 Berliners as a cross-section...

A Historical Perspective on Theatre of Real People

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

0

...Since the 1990s, there has been a marked rise in the cultural prominence of performance that foregrounds the texts, voices, and/or bodies of ‘real people’ and the ‘facts’ of their lives and social reality – that is, in theatre that focuses...

Theatre of Real People at the HAU

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

0

...Under the leadership of Matthias Lilienthal (2003–12), the Hebbel am Ufer (HAU) established itself as a theatre production house committed to artistic engagement with contemporary society and pressing social issues. This emphasis...

Meeting Unfamiliar Residents in Berlin: Playing with Frames of Reference in X-Apartments

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

0

...In 2004, Lilienthal invited theatre, film, and visual artists to leave the black box of the theatre (HAU 2004) and create five- to ten-minute site-specific performances in private homes, located in the suburbs of Kreuzberg and Lichtenberg...