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Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney and Berlin

Postdramatic Theatre and the Political : International Perspectives on Contemporary Performance

Bloomsbury Methuen Drama, 2013

Books

4

... with aspects of reality and social truth, but then, in a double move, undermine even that sense. In the case of Chambermaids the analysis is provided by Ulrike Garde, who focuses on how an aesthetics of undecidability, where audience impressions...

Unsettling Journey into the Unfamiliar: Ambiguous Guides to the City in Call Cutta: Mobile Phone Theatre

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

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Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

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Mark Taylor-Batty

Mark Taylor-Batty

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... when giving directions] is deliberate and part of the script. It is a kind of an emotional roller-coaster ride where information and intimacy merge smoothly creating a canvas of various shades. (Mukerjee, in Garde 2010b )...

Theatre and Authenticity-Effects

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

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Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

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Mark Taylor-Batty

Mark Taylor-Batty

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and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

2

... this demonstration and functions more directly (Wetzel, in Gronau 2006: 14). In a 2010 interview with Ulrike Garde, Wetzel’s collaborator Helgard Haug’s response to the suggestion that the group’s work with experts of the everyday often...

Getting Closer to the Subjects of Migration: Partial Proximity in Blackmarket No. 7 and Mr Dağaçar and the Golden Tectonics of Trash

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... wollten wir lieber mit Leuten arbeiten, die professionell schon seit Jahren in diesem Gebiet tätig sind: Das heißt Sozialarbeiter, Anwälte, Übersetzer, Flüchtlingshelfer: Garde and Mumford 2010). Other key Blackmarket format features...

Berliners with an ‘Authenticity Guarantee’: Cultural Complexity in 100% Berlin and 100% City

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... They acted like a secondary storyline for us that painted a broader picture of Melbourne that was not being picked up with the five primary ABS [Australian Bureau of Statistics]/census filters. (Garde 2015: 260) With the show taking place...

Encounters with Cultural Diversity at the HAU

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... würde gar nicht immer sagen, das muss etwas sein, was außerhalb meiner eigenen Reichweite liegt, sondern es bezieht sich auf etwas, was sich mir vorher nicht erschlossen hat). (Haug, in Garde 2010a)In this version...

Conclusion

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... resentments (Behrendt 2004) as well as to the associated clichés, stereotypes, and prejudices. As a citizen performer in 100% Melbourne observed, ‘People aren’t what they seem’ (Humphrey, in Garde 2015: 269), and as Rimini Protokoll...

A Historical Perspective on Theatre of Real People

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... theatre of the real (Martin 2013 ), and verbatim theatre (Garde et al. 2010; Paget 1987, 2007; Wake 2013a). However, it extends this scholarship through its focus on plotting developments in Western theatre’s incorporation of what we...

Meeting Unfamiliar Residents in Berlin: Playing with Frames of Reference in X-Apartments

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... of press at the HAU, it was one of the first projects that Lilienthal planned and sought funding for when he took over artistic leadership of the HAU in 2003 (Garde 2012). Theatre critics equally acknowledged X-Apartments as emblematic...

Introduction

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... and spectators that has to be renewed for each ‘authenticating act’ (Garde 2011). In the case of experimental Theatre of Real People from the HAU, we demonstrate that it is often characterized by a playful use of Authenticity-Effects...