Loading
Loading

Results

Sort By:  1-6 of 6 (1 page)
Results per page:
         

Part Three: Introduction

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

Search for publications

Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

2

...Beyond realism: Stanislavsky in Latin America That Stanislavsky’s system was developed for sole application to realistic and naturalistic play-texts is a misconception that harks back to the system’s own early formulations. In fact...

Part One: Introduction

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

Search for publications

Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

4

... Italy (Franco Ruffini), Lithuania (Ina Pukelyte.), Malta (Stefan Aquilina) and Greece (Maria Gaitanidi). Public and peer reception, for example, are central to Autant-Mathieu’s essay on Stanislavsky in France, where she discusses the reaction...

Part Four: Introduction

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

Search for publications

Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

2

...In between binaries and paradoxes: Stanislavsky in Africa Scholarship about theatre and performance in Africa is often framed in ways that overshadows actor training practices on the African continent. Recurrent themes around which...

An Amateur Processing of the System: Stanislavsky in Malta

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

Search for publications

Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

3

... and Karmenu Aquilina) remarked how they had come across the name of Stanislavsky when they were well into their career. They were surprised to realize that they were following, ‘more or less’, his approaches ever since they had started doing...

Introduction: Context 1

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

Search for publications

Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

2

...Remapping Stanislavsky’s transmission One consequence of the 1922–4 tours which Stanislavsky himself had understood was that America was going to play a significant role in his own future as a theatre-maker. His letters indicate how he...

Between Stanislavsky and Bharata: Actor Training at the National School of Drama in New Delhi

JooYeoul Ryu

and

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

Search for publications

Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

2

...Introduction In her account aimed at positioning Stanislavsky as ‘an acting master for the twenty-first century’, Sharon Marie Carnicke unpicks the various levels that coexist within the Stanislavskian technique known as ‘the through-line’...