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Conclusion

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

1

... highly dependent on the vagaries of funding and a greater interference by the establishment, as with the Thatcherite policies of the 1980s. See D. Keith Peacock, Thatcher’s Theatre: British Theatre and Drama in the Eighties, London:...

Introduction

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

0

...The years 1900–50 are marked by dramatic and far-reaching events: two world wars, the rise of fascism and communism, the decline and fall of the British Empire, economic disaster, first-wave feminism and new cultural responses to the modern...

‘Masculine Women and Effeminate Men’: Gender and Sexuality on the Modernist Stage

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

1

... together these examples of some of the ‘bad modernisms’ that have been increasingly encompassed by the so-called new modernist studies, with its expansions in ‘temporal, spatial, and vertical directions’, Douglas Mao and Rebecca L....

Interwar Theatre

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

2

... as a repository during the interwar period for society’s fears and anxieties about the loss of so many men, and the perceived growing empowerment of women’. Rebecca D’Monté, ‘Drama, 1920–1945’, in Maroula Joannou (ed.),...

The Edwardian Theatre

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

1

... and all the rest’. New York Times, http://query.nytimes.com/mem/archive-free/pdf?res=F70616FE3D5E12738DDDAD0894DA415B828CF1D3 The exotic spectacle...

‘Producing The Scene’: The Evolution of the Director in British Theatre 1900–50

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

0

...Claire Cochrane The idea of the director as a single authority figure with a distinctive set of skills evolved quite slowly in British theatre during the first half of the twentieth century. Every actor-manager of any importance since...

Second World War Theatre and After

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

2

... Rebecca D’Monté, ‘Moving Back to “Home” and “Nation”: Women Dramatists, 1938–1945’, in Teresa Gómez-Reus and Terry Gifford (eds), Women in Transit Through Literary Liminal Spaces, Basingstoke: Palgrave Macmillan, 2013, pp. 139–50...

Staging Hitler, Not Staging Hitler

Steve Nicholson

Dr Steve Nicholson is Director of Drama within the English Department at the University of Sheffield, UK. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

0

...Introduction In July 1939, a few weeks before Britain declared war on Germany, the Lord Chamberlain’s Office, which had responsibility for licensing and censoring stage plays, rejected a translation of Ernst Toller’s Pastor Hall as ‘a...

First World War Theatre

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

Search for publications

British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

1

... Musicals Musicals tended to fall into three categories at this time: the exotic, the romantic and the comic, although these often overlapped. Nijinsky’s appearance on the 1913 London stage in L’Apres Midi d’un Faune had fed the appetite...