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Performance and/as Theatre

R. Darren Gobert

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R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His works include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater (2013). He is editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

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Patrick Lonergan

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

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Erin Hurley

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His publications include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater. He is incoming editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

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The Theatre of Caryl Churchill

Bloomsbury Methuen Drama, 2014

Books

3

... this argument, too, and connect Traps to Blue Heart, in the article from which this chapter draws: R. Darren Gobert , ‘Performance and Selfhood in Caryl...

Derivatives; Or Capitalism and The Theatre

R. Darren Gobert

,

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His works include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater (2013). He is editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

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Patrick Lonergan

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Search for publications
and

Erin Hurley

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His publications include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater. He is incoming editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

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The Theatre of Caryl Churchill

Bloomsbury Methuen Drama, 2014

Books

1

... The Resistible Rise of Arturo Ui with a coach party of SS men’, wrote Thomas Sutcliffe in the Independent. ‘[R]ather as though coachloads of Venetian Jews had driven up to applaud Mr Shakespeare’s play about a vengeful Jewish usurer’,...

Churchill’s Landscapes

R. Darren Gobert

,

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His works include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater (2013). He is editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

Search for publications

Patrick Lonergan

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Search for publications
and

Erin Hurley

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His publications include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater. He is incoming editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

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The Theatre of Caryl Churchill

Bloomsbury Methuen Drama, 2014

Books

1

... critic asserts), See Lisa Merrill , ‘Monsters and Heroines: Caryl Churchill’s Women’ in Phyllis R....

Other Critical Perspectives

R. Darren Gobert

,

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His works include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater (2013). He is editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

Search for publications

Patrick Lonergan

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Search for publications
and

Erin Hurley

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His publications include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater. He is incoming editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

Search for publications

The Theatre of Caryl Churchill

Bloomsbury Methuen Drama, 2014

Books

0

...The ‘Picasso’ of Modern British Playwrights Elaine Aston Elaine Aston is Professor of Contemporary Performance at Lancaster University, UK. Her monographs include Theatre As Sign-System (1991, with George Savona...

Identity and The Body

R. Darren Gobert

,

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His works include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater (2013). He is editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

Search for publications

Patrick Lonergan

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Search for publications
and

Erin Hurley

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His publications include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater. He is incoming editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

Search for publications

The Theatre of Caryl Churchill

Bloomsbury Methuen Drama, 2014

Books

1

... John M. Clum , ‘“The Work of Culture”: Cloud Nine and Sex/Gender Theory’ in Phyllis R. Randall...

The Aesthetics and Politics of Collaboration

R. Darren Gobert

,

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His works include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater (2013). He is editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

Search for publications

Patrick Lonergan

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Search for publications
and

Erin Hurley

R. Darren Gobert specialises in comparative drama, dramatic and performance theory, and the philosophy of theatre at York University, Canada, where he is Associate Professor in the Department of English and the Graduate Programme in Theatre and Performance Studies. His publications include The Mind-Body Stage: Passion and Interaction in the Cartesian Theater. He is incoming editor of the journal Modern Drama. Author affiliation details are correct at time of print publication.

Search for publications

The Theatre of Caryl Churchill

Bloomsbury Methuen Drama, 2014

Books

1

... of individual responsibility and governed by private ownership. We might see analogies to the theatre: Gaskill characterised Stafford-Clark’s agreement to shared decision-making as made ‘[r]ather grudgingly’. Qtd in Ritchie, Joint...