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SNAPSHOT #17

Encountering Ensemble

Bloomsbury Methuen Drama, 2013

Books

2

...I believe that I was an ensemble actor from the very beginning, by instinct, not philosophy. At the age of 12 how could it be otherwise, I had never heard the term. What I discovered in my first play with grown-ups was that I loved...

Lawrence’s Theatrical Development: Realist and Experimentalist Crosscurrents

James Moran

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James Moran is Head of Drama in the School of English Studies at the University of Nottingham, UK. Author affiliation details are correct at time of print publication.

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Patrick Lonergan

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

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and

Kevin J. Wetmore

Kevin J. Wetmore, Jr. is professor of theatre arts at Loyola Marymount University, Los Angeles, USA, the author and editor of ten books including The Empire Triumphant: Race, Religion and Rebellion in the Star Wars Films, and a contributor to numerous volumes on sci-fi, pop culture and religion, including essays on Godzilla, Star Wars, and Battlestar Galactica. His areas of expertise include Japanese theatre, African theatre, Shakespeare, Greek tragedy, stage combat and comedy. He is co-editor with Patrick Lonergan of Bloomsbury Methuen Drama’s Critical Companions series. Author affiliation details are correct at time of print publication.

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The Theatre of D.H. Lawrence : Dramatic Modernist and Theatrical Innovator

Bloomsbury Methuen Drama, 2015

Books

1

... of characters as ‘suffering objects in the hands of death’ rather than as ‘speaking, active subjects’. Szondi, Theory of the Modern Drama , p.35. Patrick McGuinness, amongst others, describes how...

Musicals and Social Change

Robert Gordon

Robert Gordon is Professor of Theatre and Performance at Goldsmiths, University of London, UK and Director of the Pinter Research Centre in Performance and Creative Writing. He has published books on Stoppard and Harold Pinter, on modern acting theories and edited The Oxford Handbook of Sondheim Studies; he is co-editor of The Oxford Handbook of the British Musical. Author affiliation details are correct at time of print publication.

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British Musical Theatre since 1950

Bloomsbury Methuen Drama, 2016

Books

1

... Firth’s This My Family (2013) are quietly affecting depictions of the quotidian. Richard Thomas and Stewart Lee’s Jerry Springer: The Opera, and Adam Cork and Alecky Blythe’s London Road (2011) This was adapted...

Narrative and Story-Telling in the British Musical since 1970

Olaf Jubin

Olaf Jubin is Reader in Media Studies and Musical Theatre at Regent’s University London, UK, and a Visiting Lecturer on the M.A. in Musical Theatre at Goldsmiths College, University of London, UK. He has written and co-edited several books on musical theatre and the mass media and is co-editor of the forthcoming Oxford Handbook of the British Musical. Author affiliation details are correct at time of print publication.

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British Musical Theatre since 1950

Bloomsbury Methuen Drama, 2016

Books

1

... Tonight’s the Night (2003; Rod Stewart), Daddy Cool (2006; Boney M), Desperately Seeking Susan (2007; Blondie), Never Forget (2007; Take That) and Viva Forever! (2012; The Spice Girls). Some...