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Footage: Surface Feelings

Martin Welton

Martin Welton is a Senior Lecturer in Theatre and Performance Studies in the Department of Drama at Queen Mary University of London, UK. His research is concerned with practical and critical approaches to movement and the senses in performance. He is the author of the monograph Feeling Theatre (2011). Author affiliation details are correct at time of print publication.

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Affective Performance and Cognitive Science : Body, Brain and Being

Bloomsbury Methuen Drama, 2013

Books

4

... Martin Welton , Feeling Theatre , Basingstoke : Palgrave MacMillan, 2012 . Rather than determining...

In Praise of Gloom: The Theatre Defaced

Martin Welton

Martin Welton is a Senior Lecturer in Theatre and Performance Studies in the Department of Drama at Queen Mary University of London, UK. His research is concerned with practical and critical approaches to movement and the senses in performance. He is the author of the monograph Feeling Theatre (2011). Author affiliation details are correct at time of print publication.

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Theatre in the Dark : Shadow, Gloom and Blackout in Contemporary Theatre

Bloomsbury Methuen Drama, 2017

Books

3

... invited me. I hadn’t been involved in theatre in the dark from the perspective of its production since I had worked as an actor with Sound&Fury on The Watery Part of the World in 2004 (see Welton 2005), and so the opportunity to engage...

Introduction: The Dark Draws In

Adam Alston

Adam Alston is a Lecturer in Theatre and Performance Studies at the University of Surrey, UK. His research explores the aesthetics and politics of immersive theatre, and work and labour in contemporary theatre and performance. He is a founding member of Curious Directive and part of a small editorial team for Contemporary Theatre Review's newly launched online resource. Author affiliation details are correct at time of print publication.

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Martin Welton

Martin Welton is a Senior Lecturer in Theatre and Performance Studies in the Department of Drama at Queen Mary University of London, UK. His research is concerned with practical and critical approaches to movement and the senses in performance. He is the author of the monograph Feeling Theatre (2011). Author affiliation details are correct at time of print publication.

Search for publications

Theatre in the Dark : Shadow, Gloom and Blackout in Contemporary Theatre

Bloomsbury Methuen Drama, 2017

Books

4

... communal – though at times competitive – framework, as Martin Welton addresses in Chapter 10. Jo Bannon’s Exposure (2011), Bad Physics’s 2011 adaptation of Louis de Bernières’s Sunday Morning at the Centre of the World (2001), Tino...