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Introduction

Mark Thornton Burnett

Mark Thornton Burnett is Professor of Renaissance Studies at Queen’s University, Belfast, UK, and Director of the Kenneth Branagh Archive. His books include Shakespeare, Film, Fin de Siècle (Palgrave, 2000) and Screening Shakespeare in the Twenty-First Century (EUP, 2006). Author affiliation details are correct at time of print publication.

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Welles, Kozintsev, Kurosawa, Zeffirelli Volume Volume XVII

Bloomsbury Arden Shakespeare, 2013

Books

6

... in a spectrum of media forms and events. It is via such a plethora of projects and pursuits, Rippy concludes, that Welles has come to be seen as a directorial brand name.In Chapter Two, Mark Thornton Burnett discusses Japanese filmmaker Akira...

Akira Kurosawa

Mark Thornton Burnett

Mark Thornton Burnett is Professor of Renaissance Studies at Queen’s University, Belfast, UK, and Director of the Kenneth Branagh Archive. His books include Shakespeare, Film, Fin de Siècle (Palgrave, 2000) and Screening Shakespeare in the Twenty-First Century (EUP, 2006). Author affiliation details are correct at time of print publication.

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Welles, Kozintsev, Kurosawa, Zeffirelli Volume Volume XVII

Bloomsbury Arden Shakespeare, 2013

Books

4

... and despair. This chapter examines each of these films in turn, but also draws attention to the consistency of Kurosawa’s auteurial vision – the shared aesthetic and intellectual predilections that stamp all three films with the mark...

New Directions: Hamlet, Cinema, the World

Mark Thornton Burnett

Mark Thornton Burnett is Professor of Renaissance Studies at Queen’s University, Belfast, UK, and Director of the Kenneth Branagh Archive. His books include Shakespeare, Film, Fin de Siècle (Palgrave, 2000) and Screening Shakespeare in the Twenty-First Century (EUP, 2006). Author affiliation details are correct at time of print publication.

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Hamlet : A Critical Reader

Bloomsbury Arden Shakespeare, 2016

Books

6

... their human functionaries’. Mark Thornton Burnett , Courtney Lehmann , Marguerite H. Rippy...

Franco Zeffirelli

Ramona Wray

Ramona Wray is Lecturer in English at Queen’s University, Belfast, UK. Her publications include Shakespeare, Film, Fin de Siècle (2000), Screening Shakespeare in the Twenty-First Century (2006). Author affiliation details are correct at time of print publication.

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Welles, Kozintsev, Kurosawa, Zeffirelli Volume Volume XVII

Bloomsbury Arden Shakespeare, 2013

Books

3

... and Juliet in that it relies for its sensual effect upon ‘real’ Italian environs, exterior shooting, natural light and number of sun-drenched set-pieces. Mark Thornton Burnett argues that a film such as William Shakespeare’s A Midsummer...

Grigori Kozintsev

Courtney Lehmann

Courtney Lehmann is the Tully Knoles Professor of the Humanities and Professor of English and Film Studies and the Director of the Humanities Scholars Program at University of the Pacific in Stockton, California. Notable works include: Shakespeare Remains: Theater to Film, Early Modern to Postmodern (2002); Spectacular Shakespeare: Critical Theory and Popular Cinema (2002); The Reel Shakespeare: Alternative Cinema and Theory (2002); Screen Adaptations: Shakespeare's Romeo and Juliet (2010); Great Shakespeareans, Volume XVII (2013) and a new edition of King John and Henry VIII (2015). Author affiliation details are correct at time of print publication.

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Welles, Kozintsev, Kurosawa, Zeffirelli Volume Volume XVII

Bloomsbury Arden Shakespeare, 2013

Books

1

... The New Babylon is an artistically revolutionary film. Its equally powerful political impact was reaffirmed in 1971, when a proposal went forward to air the film on French television to mark the one-hundredth anniversary of the bloody...

Orson Welles

Marguerite H. Rippy

Marguerite Rippy is Professor of English at Marymount University, USA. She is the author of Orson Welles and the Unfinished RKO Projects and of numerous essays on Orson Welles, adaptations of Shakespeare, gender and race theory, and performances of female sexuality. Author affiliation details are correct at time of print publication.

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Welles, Kozintsev, Kurosawa, Zeffirelli Volume Volume XVII

Bloomsbury Arden Shakespeare, 2013

Books

1

... of Ambersons marks Welles’ departure from traditional commercial film-making and heralds his later pattern of fractious post-production relationships, including tensions over the re-dubbing of his Macbeth. Welles increasingly pursued narrative...