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Beckett at the West Yorkshire Playhouse: Happy Days, Not I and Krapp’s Last Tape (1993)

Mark Taylor-Batty

Mark Taylor-Batty

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Staging Beckett in Great Britain

Bloomsbury Methuen Drama, 2016

Books

4

... Robert Bowerman to Mark Taylor-Batty, telephone conversation, 9 September 2014. This impulse to ground the character in something approaching a recognizable reality is typical of Scales’s approach to her work more generally....

The Impossible Family

Mark Taylor-Batty

Mark Taylor-Batty

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The Theatre of Harold Pinter

Bloomsbury Methuen Drama, 2014

Books

1

... and be taken as a consequence of it, an emotional negotiation of it. As if to profit from this moral question mark, Pinter temporarily stalls the reverse sequence and has scenes six and seven follow scene five chronologically, all three...

The Secluded Voice: The Impossible Call Home in Early Pinter

Mark Taylor-Batty

Mark Taylor-Batty

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and

Carl Lavery

Carl Lavery teaches Theatre and Performance at Aberystwyth University, UK. His publications include Jean Genet Politics and Performance, with Clare Finburgh (2006), Sacred Theatre (2007), Walking, Writing and Performance: Autobiographical Texts by Dee Heddon, Carl Lavery and Phil Smith (2009), The Politics of Jean Genet's Late Theatre: Spaces of Revolution (2010), Contemporary French Theatre and Performance, with Clare Finburgh (2011), Good Luck Everybody. Lone Twin: Journeys, Performances and Conversations, with David Williams(2011), and the is he editor with Nick Whybrow of a special issue of Performance Research ‘On Foot’ (2012). Author affiliation details are correct at time of print publication.

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Rethinking the Theatre of the Absurd : Ecology, the Environment and the Greening of the Modern Stage

Bloomsbury Methuen Drama, 2015

Books

4

... formation in Pinter in my chapter ‘The Impossible Family’ in Mark Taylor-Batty, The Theatre of Harold Pinter, London: Bloomsbury, 2014, pp. 128–58. I pursue this aspect of family formation in Pinter in my chapter ‘The Impossible...

Introduction

Mark Taylor-Batty

Mark Taylor-Batty

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The Theatre of Harold Pinter

Bloomsbury Methuen Drama, 2014

Books

0

...In announcing the recipient of the 2005 Nobel Prize for Literature on 13 October of that year, Horace Engdahl, the Permanent Secretary of the Swedish Academy, came through a gilded white door to meet the gathered media and announced first...

Some Concluding Remarks

Mark Taylor-Batty

Mark Taylor-Batty

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The Theatre of Harold Pinter

Bloomsbury Methuen Drama, 2014

Books

1

... Harold Pinter , interviewed by Mark Lawson , Front Row , BBC Radio 4, 28 February 2005 . The sense...

Politics and the Artist as Citizen

Mark Taylor-Batty

Mark Taylor-Batty

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The Theatre of Harold Pinter

Bloomsbury Methuen Drama, 2014

Books

2

... Mark Taylor-Batty , and Linda Renton , ‘Report from Britain’, in Francis Gillen (ed.),...

Critical and Performance Perspectives

Mark Taylor-Batty

Mark Taylor-Batty

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The Theatre of Harold Pinter

Bloomsbury Methuen Drama, 2014

Books

2

... rites-of-passage novel The Dwarfs , which Mark Taylor-Batty discusses at length earlier in this volume. Pinter’s discovery (around 1949) of Samuel Beckett’s novel Murphy compelled him to hunt down and follow the Irishman’s trail. He...

Invasions and Oppressions

Mark Taylor-Batty

Mark Taylor-Batty

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The Theatre of Harold Pinter

Bloomsbury Methuen Drama, 2014

Books

4

... Harold Pinter , interview with Mark Batty , in Mark Batty , About Pinter: The Playwright and the Work...

The Company of Men and the Place of Women

Mark Taylor-Batty

Mark Taylor-Batty

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The Theatre of Harold Pinter

Bloomsbury Methuen Drama, 2014

Books

1

... the ebb, flow and decay of relationships between three young men – Mark, Len and Pete – and a young woman, Virginia. The novel focusses in part on the nature of friendship between men, how they negotiate what they mean to one another and what...

Present Continuous, Past Perfect

Mark Taylor-Batty

Mark Taylor-Batty

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The Theatre of Harold Pinter

Bloomsbury Methuen Drama, 2014

Books

1

... (written as one long sentence; Pinter writes with an opening lower case after each question mark to indicate a continuous stream) shifts the gear of the performance, and it goes on long enough to establish firmly a new section of the play,...