Loading
Loading

Results

Sort By:  1-9 of 9 (1 page)
Results per page:
         
Image
...Leo Beagle has spent two years writing a 638 page manifesto on human harmony that just might change the world. The problem is only that no one wants to read it, especially not Leo’s unharmonious family. An L.A. Theatre Works full-cast...

Rochelle Owens: Off Beat, Off-Off Broadway

Beat Drama : Playwrights and Performances of the ‘Howl’ Generation

Bloomsbury Methuen Drama, 2016

Books

1

... that indicates Beat influences and a Beat ethos. If not overtly identifying as Beat-influenced or Beat-associated, Owens has certainly been grouped with Beat writers. She appeared, for instance, at The Poetry Project at St. Marks Church...

Diane di Prima as Playwright: The Early Years 1959–1964

Beat Drama : Playwrights and Performances of the ‘Howl’ Generation

Bloomsbury Methuen Drama, 2016

Books

1

... Theatre alone, participants and playwrights included Waring, Marlowe, Frank O’Hara, Wallace Stevens, Gertrude Stein, John Wieners, Barbara Guest, Robert Duncan, Kenneth Koch, and dancers from Merce Cunningham’s company – an eclectic set of play...

Angel Tendencies and Gratuitous Acts: Kill Your Darlings and the Legacy of Lucien Carr

Beat Drama : Playwrights and Performances of the ‘Howl’ Generation

Bloomsbury Methuen Drama, 2016

Books

1

... the two is one of the film’s greatest strengths, in terms of both narrative action and historical accuracy. However, such nuance has also triggered the harshest attacks against it.Mark Judge, a journalist for The Daily Caller, offers one...

Evenings of Bohemian Cruelty: The Living Theatre in the 1950s

Beat Drama : Playwrights and Performances of the ‘Howl’ Generation

Bloomsbury Methuen Drama, 2016

Books

1

...The Living Theatre’s connection with the Beat poets is long and complex. They made art and love together throughout the 1950s, when Living Theatre founders Judith Malina and Julian Beck worked with modernist texts by Gertrude Stein...

Ordinary Women

Jessica Silsby Brater

,

Jessica Silsby Brater works in the Department of Theatre at Barnard College, New York, USA, and serves as a Teaching Artist at the Marymount School Drama Department in New York City. She is the founding Artistic Director of the Brooklyn-based company Polybe + Seats and holds a PhD in Theatre Studies from The Graduate Center, CUNY. Author affiliation details are correct at time of print publication.

Search for publications

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications
and

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications

Ruth Maleczech at Mabou Mines: Woman’s Work

Bloomsbury Methuen Drama, 2016

Books

1

... to recognize the individuality with which each character approaches both the quotidian and the unusual aspects of her situation. Douglas Stein, the set designer for both productions, says that what struck him most about Maleczech’s...

Theatre of Real People at the HAU

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... Hertling’s leadership from 1989, it presented internationally recognized contemporary theatre. HAU2 was the venue where Peter Stein began to establish himself as one of Germany’s leading directors of politically engaged theatre. It also played...

Mother–Daughter Collaboration

Jessica Silsby Brater

,

Jessica Silsby Brater works in the Department of Theatre at Barnard College, New York, USA, and serves as a Teaching Artist at the Marymount School Drama Department in New York City. She is the founding Artistic Director of the Brooklyn-based company Polybe + Seats and holds a PhD in Theatre Studies from The Graduate Center, CUNY. Author affiliation details are correct at time of print publication.

Search for publications

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications
and

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications

Ruth Maleczech at Mabou Mines: Woman’s Work

Bloomsbury Methuen Drama, 2016

Books

1

... in Breuer’s life; he suggests that the performance poem is “‘a prototypical love affair circa 1957–1977’”—the same years that mark his relationship with Maleczech. Smith Fischer argues, however, that it would be a mistake...

Introduction

Jessica Silsby Brater

,

Jessica Silsby Brater works in the Department of Theatre at Barnard College, New York, USA, and serves as a Teaching Artist at the Marymount School Drama Department in New York City. She is the founding Artistic Director of the Brooklyn-based company Polybe + Seats and holds a PhD in Theatre Studies from The Graduate Center, CUNY. Author affiliation details are correct at time of print publication.

Search for publications

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications
and

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications

Ruth Maleczech at Mabou Mines: Woman’s Work

Bloomsbury Methuen Drama, 2016

Books

1

... of the company Mabou Mines, Maleczech had been a fixture of American avant-garde theater since 1970. So why was Akalaitis concerned that New York’s paper of record in Maleczech’s artistic home might not publish an article to mark her passing? Though...