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Atmosphere

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

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0

...‘The atmosphere inspires the actor. It unites the audience with the actor as well as the actors with one another’ As stated in the last chapter, Chekhov saw atmosphere and individual feelings as the heart or soul of a production...

Acting Ethics

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

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0

...‘Love the art in yourself, not yourself in art’ Actors are not respected like opera singers, ballet dancers, musicians, painters or photographers. Whereas all these are assumed to have skill and dedication, the actor is more likely...

Awareness

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

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...‘All actors must be character actors’ When you first encounter the organic acting process based on Stanislavski’s observations and conclusions about what makes great performance, you are inevitably influenced by contemporary actors...

Sensing

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

Books

1

... thoughts, feelings and imagination about what’s outside can’t flourish if we’re constantly bombarded with sounds in a headset or phone messages.‘They all want to escape from the pain of being alive’, said John Osborne’s Jimmy Porter in 1956,...

Discovering The Action – Active Analysis

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

Books

1

... is empty. From above, ELIZABETH is heard softly singing to the children. Presently the door opens and JOHN PROCTOR enters, carrying his gun. He glances about the room as he comes toward the fireplace, then halts for an instant as he hears her...

Meeting the Character

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

Books

1

... you connect. For example, Elizabeth may love and respect John, her husband, but he was unfaithful with Abigail about seven months before the start of the play, which bred mistrust, resentment and a cold distance on her part,...

An Open Conclusion

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

Books

0

...‘But the actor is not his own master. It is his nature which creates through him, he is only the instrument’ We act to recreate humanity in our simplicity and in our complexities and contradictions, at our most loving and at our...

Working Together

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

Books

0

...‘Collective creative effort is the root of our kind of art. That requires ensemble acting’ Actors don’t work alone. The painter or sculptor can disappear to create solitarily for days. Pianists can play concert performances...

Acting with Others

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

Books

2

... partnership (see Chapter 2 of Voice into Acting: Integrating Voice and the Stanislavski Approach, Christina Gutekunst and John Gillett). Speaking for effect. Equally, if you try to say the lines...

What do I Want?

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Acting Stanislavski : A practical guide to Stanislavski’s approach and legacy

Bloomsbury Methuen Drama, 2014

Books

1

... How important is it to fulfil your objective – a matter of life and death, or not very important at all? John Proctor, in Arthur Miller’s The Crucible, has to convincethe Salem judges that his wife, Elizabeth, is innocent of the witchcraft...