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The Cherry Orchard

Written by

Anton Chekhov

and

Gary Owen

Adapted by

Gary Owen

~playauthor~Written by~ Anton Chekhov , Gary Owen ~playauthor~Adapted by~ Gary Owen

Oberon Books, 2017

Oberon Modern Plays

Playtext

Scenes: 5, Roles: Total (7), Female (5), Male (2), Unassigned (0)

1

Image
Summary
...Pembrokeshire, 1982. Things are going to change. This radical reworking of Chekhov's The Cherry Orchard places the action in early 80s Wales, at the dawn of another revolution – the Thatcher regime. Bloumfield sits...

In the Pipeline

Written by

Gary Owen

~playauthor~Written by~ Gary Owen

Oberon Books, 2010

Oberon Modern Plays

Playtext

Roles: Total (3), Female (1), Male (2), Unassigned (0)

2

Image
Summary
...A massive liquid gas line tears through the countryside of west Wales. Gary Owen opens the doors to three of the residents in the port of Milford Haven, Andrew, Dai and Joan, who are caught in the path of this terrifying phenomenon....

Conclusion: Tragedy, Comedy and Sacrifice in Popular Culture

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

1

... and weddings has not completely disappeared as is illustrated by the hit British TV series Miranda (2009–2015), which charts the socially awkward heroine’s attempts to marry her true love Gary. However, it no longer remains a reliable indicator...

Roman Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

1

... An impression that is confirmed when we read Horace’s advice to authors that they should ‘study Greek models night and day’. ‘The Art of Poetry’ in Ibid., pp. 279–291, p. 286. But he also said that they should win...

Love Steals us from Loneliness

Written by

Gary Owen

~playauthor~Written by~ Gary Owen

Oberon Books, 2010

Oberon Modern Plays

Playtext

Scenes: 3, Roles: Total (5), Female (3), Male (2), Unassigned (0)

2

Image
Summary
... with Sherman Cymru, brought Gary Owen, one of Wales’ foremost playwrights back to his hometown of Bridgend in October 2010 with Love Steals Us From Loneliness....

Restoration and Eighteenth-Century Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

2

... Gary Day and Bridget Keegan (eds.), The Eighteenth Century Literature Handbook ,...

Handling tradition: Testament as trade in Richard II and King John

Gary Watt

Gary Watt is Professor of Law at the University of Warwick, UK. He is a National Teaching Fellow and a Fellow of the Higher Education Academy. In 2009 he was named national ‘Law Teacher of the Year’. He is the founding co-editor of the journal Law and Humanities and his previous books include Trusts and Equity (2003) and Equity Stirring: The Story of Justice Beyond Law (2009). He is also co-editor of the collection Shakespeare and the Law (2008). Author affiliation details are correct at time of print publication.

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Shakespeare’s Acts of Will: Law, Testament and Properties of Performance

Bloomsbury Arden Shakespeare, 2016

Books

1

... ‘gage’ continues to have commercial connotations to this day, notably in the form of real security that goes by the name of ‘mortgage’. The legal and trade sense of the gage is clear in Mowbray’s declaration: ‘I … /… interchangeably...

‘His will is not his own’: Hamlet downcast and the problem of performance

Gary Watt

Gary Watt is Professor of Law at the University of Warwick, UK. He is a National Teaching Fellow and a Fellow of the Higher Education Academy. In 2009 he was named national ‘Law Teacher of the Year’. He is the founding co-editor of the journal Law and Humanities and his previous books include Trusts and Equity (2003) and Equity Stirring: The Story of Justice Beyond Law (2009). He is also co-editor of the collection Shakespeare and the Law (2008). Author affiliation details are correct at time of print publication.

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Shakespeare’s Acts of Will: Law, Testament and Properties of Performance

Bloomsbury Arden Shakespeare, 2016

Books

2

... and testaments to this day. Gary Watt , Trusts and Equity , 7th edn ( Oxford : Oxford...

Medieval Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

Search for publications

The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

1

... further difficulty is how to distinguish drama from revels, rituals and folk plays. Take the summer celebrations. They began on May Day with everyone going into the woods and meadows ‘to rejoice their spirit with the beauty and savour...

Worlds of will in As You Like It and The Merchant of Venice

Gary Watt

Gary Watt is Professor of Law at the University of Warwick, UK. He is a National Teaching Fellow and a Fellow of the Higher Education Academy. In 2009 he was named national ‘Law Teacher of the Year’. He is the founding co-editor of the journal Law and Humanities and his previous books include Trusts and Equity (2003) and Equity Stirring: The Story of Justice Beyond Law (2009). He is also co-editor of the collection Shakespeare and the Law (2008). Author affiliation details are correct at time of print publication.

Search for publications

Shakespeare’s Acts of Will: Law, Testament and Properties of Performance

Bloomsbury Arden Shakespeare, 2016

Books

1

... token of her ring may be said to perpetuate the same cycle of bondage to will that her father had started. Gary Watt , ‘The Law of Dramatic...