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Postdramatic Reality Theatre and Productive Insecurity: Destabilising Encounters with the Unfamiliar in Theatre from Sydney and Berlin

Postdramatic Theatre and the Political : International Perspectives on Contemporary Performance

Bloomsbury Methuen Drama, 2013

Books

3

... a concept which we argue elsewhere has been misleadingly translated as ‘Alienation-Effects’, rather than, say, ‘Defamiliarisation-Effects’. Meg Mumford...

Getting Closer to the Subjects of Migration: Partial Proximity in Blackmarket No. 7 and Mr Dağaçar and the Golden Tectonics of Trash

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

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Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

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Mark Taylor-Batty

Mark Taylor-Batty

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

2

... wollten wir lieber mit Leuten arbeiten, die professionell schon seit Jahren in diesem Gebiet tätig sind: Das heißt Sozialarbeiter, Anwälte, Übersetzer, Flüchtlingshelfer: Garde and Mumford 2010). Other key Blackmarket format features...

Theatre and Authenticity-Effects

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

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Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

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Mark Taylor-Batty

Mark Taylor-Batty

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and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

2

... and unstable modes of perceiving self, other and representations’ (Garde and Mumford 2013: 164). In an appraisal of documentary theatre, Stephen Bottoms draws a related conclusion when he asserts that uncertainty...

Encounters with Cultural Diversity at the HAU

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... würde gar nicht immer sagen, das muss etwas sein, was außerhalb meiner eigenen Reichweite liegt, sondern es bezieht sich auf etwas, was sich mir vorher nicht erschlossen hat). (Haug, in Garde 2010a)In this version...

Introduction

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

2

... be regarded as manifesting a usage of theatrical signifiers typical of postdramatic theatre (Garde and Mumford 2013: 148). Some commentators, Frank M. Raddatz in particular, have presented German Theatre of Real People productions,...

A Historical Perspective on Theatre of Real People

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

2

... plays Danton’s Death (1835) and Woyzeck (1836–37), and the Naturalist theatre that featured contemporary characters whose language, clothing, comportment, and environment reproduced that of real contemporary people (Garde, Mumford and Wake...

Conclusion

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... resentments (Behrendt 2004) as well as to the associated clichés, stereotypes, and prejudices. As a citizen performer in 100% Melbourne observed, ‘People aren’t what they seem’ (Humphrey, in Garde 2015: 269), and as Rimini Protokoll...

Berliners with an ‘Authenticity Guarantee’: Cultural Complexity in 100% Berlin and 100% City

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... They acted like a secondary storyline for us that painted a broader picture of Melbourne that was not being picked up with the five primary ABS [Australian Bureau of Statistics]/census filters. (Garde 2015: 260) With the show taking place...

Unsettling Journey into the Unfamiliar: Ambiguous Guides to the City in Call Cutta: Mobile Phone Theatre

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... when giving directions] is deliberate and part of the script. It is a kind of an emotional roller-coaster ride where information and intimacy merge smoothly creating a canvas of various shades. (Mukerjee, in Garde 2010b )...

Theatre of Real People at the HAU

Ulrike Garde

,

Ulrike Garde is Senior Lecturer in German Studies at Macquarie University, Australia. Her research interests range across Intercultural German Studies, German literature and the performing arts. Her publications include Brecht & Co: German-speaking Playwrights on the Australian Stage (2007). Author affiliation details are correct at time of print publication.

Search for publications

Meg Mumford

,

Meg Mumford is Senior Lecturer in Theatre and Performance Studies at the University of New South Wales, Australia. Her research focuses on social engagement, intercultural exchange, and the politics of performing bodies, particularly with regard to theatre from Germany and Australia. She has published extensively on the work of playwright-director Bertolt Brecht, and is the author of Bertolt Brecht (2009). Author affiliation details are correct at time of print publication.

Search for publications

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications
and

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications

Theatre of Real People : Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond

Bloomsbury Methuen Drama, 2016

Books

1

... approved a project, his team was free to make all manner of decisions from then on, ‘an extreme freedom of action’ (einen extremen Handlungsspielraum: Garde 2012). This partially decentralized organizational structure could also be found...