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Introduction

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

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The Hand on the Shakespearean Stage : Gesture, Touch and the Spectacle of Dismemberment

Bloomsbury Arden Shakespeare, 2016

Books

0

...William Shakespeare , The Taming of the Shrew , in Richard Proudfoot , Ann Thompson and David Scott...

Gesture in Shakespeare’s narrative art

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

Search for publications

The Hand on the Shakespearean Stage : Gesture, Touch and the Spectacle of Dismemberment

Bloomsbury Arden Shakespeare, 2016

Books

2

... the neo-Platonic principle that beauty is a manifestation of God’s light, shining from within the virtuous mind. See Ch. 1, Farah Karim-Cooper, Cosmetics in Shakespearean and Renaissance Drama for an explanation of the neo-Platonic ideal...

Epilogue

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

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The Hand on the Shakespearean Stage : Gesture, Touch and the Spectacle of Dismemberment

Bloomsbury Arden Shakespeare, 2016

Books

1

... screens, write, gesture, reach and touch if only to try and discover what they might unlock for us about our own identities and the selves we think lie hidden. Hand Study, by Kesandra Karim...

Amputation: The spectacle of dismemberment in Shakespeare’s theatres

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

Search for publications

The Hand on the Shakespearean Stage : Gesture, Touch and the Spectacle of Dismemberment

Bloomsbury Arden Shakespeare, 2016

Books

2

... or paint. See the Proceedings from Shakespeare’s Globe Theatre History Seminar, Stage Blood: A Roundtable, ed. Farah Karim-Cooper and Ryan Nelson: available online:...

‘Lively action’: Gesture in early modern performance

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

Search for publications

The Hand on the Shakespearean Stage : Gesture, Touch and the Spectacle of Dismemberment

Bloomsbury Arden Shakespeare, 2016

Books

2

... and Farah Karim-Cooper (eds), Shakespeare’s Globe : A Theatrical Experiment ( Cambridge , 2008)...

‘Let lips do what hands do’: Shakespeare’s sense of touch

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

Search for publications

The Hand on the Shakespearean Stage : Gesture, Touch and the Spectacle of Dismemberment

Bloomsbury Arden Shakespeare, 2016

Books

1

... skin’. Bruce R. Smith , ‘Within, Without, Withinwards’, in Karim-Cooper and Stern...

Manners and beauty: The social hand

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

Search for publications

The Hand on the Shakespearean Stage : Gesture, Touch and the Spectacle of Dismemberment

Bloomsbury Arden Shakespeare, 2016

Books

2

... ( London , 1621) , Sig. A3v. See Farah Karim-Cooper , Cosmetics in Shakespearean and Renaissance Drama...

The idea of the hand in Shakespeare’s world

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

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The Hand on the Shakespearean Stage : Gesture, Touch and the Spectacle of Dismemberment

Bloomsbury Arden Shakespeare, 2016

Books

1

... with or ‘gall’ someone or something, both explicitly tactile activities. See Thomas Cooper , Thesaurus Linguae Romanae et Britannicae...

Re-creating Katherina: The Taming of the Shrew at Shakespeare’s Globe

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

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Women Making Shakespeare : Text, Reception, Performance

Bloomsbury Arden Shakespeare, 2014

Books

4

... confronted the issues that might bother a modern audience. As Spiro said herself, ‘I wanted to embrace all the problems; I didn’t want to shy away’. Farah Karim-Cooper interview with Samantha Spiro, August 2012. I asked...

Touch and Taste in Shakespeare’s Theatres

Farah Karim-Cooper

Farah Karim-Cooper is Head of Higher Education & Research, Globe Education (Shakespeare’s Globe) and Visiting Research Fellow, King’s College London, UK. Author affiliation details are correct at time of print publication.

Search for publications

The Arden Shakespeare Library : Shakespeare’s Theatres and the Effects of Performance

Bloomsbury Arden Shakespeare, 2014

Books

4

... notion that the tongue was a dangerous member of the body, specifically the female body’. Farah Karim-Cooper ,...