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The White Devil: The State of the Art

The White Devil : A Critical Reader

Bloomsbury Arden Shakespeare, 2016

Books

3

... bibliographies championed by D. F. McKenzie and Jerome J. McGann. D. F. McKenzie , Bibliography and the Sociology of Texts (...

The Chooky Brae

Written by

D. C. Jackson

~playauthor~Written by~ D. C. Jackson

Faber and Faber, 2010

Faber Drama

Playtext

Acts: 2, Roles: Total (5), Female (2), Male (3), Unassigned (0)

6

Image
Summary
... is disappointing. To compensate, she gets Rab McGuire, a gift-wrapped male sex aid and an escaped chicken that won’t be stuffed. The final chapter of the Stewarton trilogy (The Wall and The Ducky), D. C. Jackson’s The Chooky Brae premiered in a Borderline Theatre Company production at the Palace Theatre, Kilmarnock, in September 2010....

The Wall

Written by

D. C. Jackson

~playauthor~Written by~ D. C. Jackson

Faber and Faber, 2008

Faber Drama

Playtext

Acts: 2, Scenes: 11, Roles: Total (4), Female (2), Male (2), Unassigned (0)

3

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Summary
...In the small Ayrshire town of Stewarton, the school holidays are like a microwave. So much happens and it all happens so fast. Norma Gordon has got a problem. She's going to be in big trouble if her dad finds out. Norma...

The Ducky

Written by

D. C. Jackson

~playauthor~Written by~ D. C. Jackson

Faber and Faber, 2009

Faber Drama

Playtext

Acts: 2, Scenes: 12, Roles: Total (5), Female (2), Male (3), Unassigned (0)

6

Image
Summary
... in a teenager's life. The second play in the trilogy which includes The Wall and The Chooky Brae, D. C. Jackson's The Ducky premiered in a Borderline Theatre Company production at the Palace Theatre, Kilmarnock, in May 2009....

My Romantic History

Written by

D. C. Jackson

~playauthor~Written by~ D. C. Jackson

Faber and Faber, 2010

Faber Drama

Playtext

Acts: 3, Scenes: 23, Roles: Total (21), Female (12), Male (9), Unassigned (0)

3

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Summary
...Do you know how they get animals to breed in captivity? They put them in the same cage. One moment you're colleagues, and then it's Friday night drinks, a quick grope, and you're an item. When Tom...

Interwar Theatre

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

1

... aids to high living’. J. C. Trewin, The Turbulent Thirties: A Further Decade of Theatre, London: Macdonald, 1950, p. 32. Cavalcade also exploited some of the theatre’s key features: immediacy, interaction between performer...

The Edwardian Theatre

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

1

... playhouses of the second half of the nineteenth century appealed to this new spectatorship, while also promulgating a vision of imperialist power through motifs from the Dominions. C. J. Phipps and Frank Matcham were two of the most important...

‘Producing The Scene’: The Evolution of the Director in British Theatre 1900–50

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

2

... Terence Gray, a ‘Magdalene man’ – began his stratospheric professional directorial career at the age of only twenty launched by Barry Jackson at Birmingham Rep in 1945. See J. C. Trewin, The Birmingham Repertory Theatre 1913–1963,...

Second World War Theatre and After

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

1

... At the outbreak of war the theatre critic J. C. Trewin considered that ‘London demanded light entertainment, and revival after revival filled the programme’. Trewin, The Turbulent Thirties, p. 131. Nevertheless, in the capital...

First World War Theatre

Rebecca D’Monté

Rebecca D’Monte is Senior Lecturer in Drama at the University of the West of England, Bristol. Her publications include Cool Britannia? British Political Drama in the 1990s, co-edited with Graham Saunders. Author affiliation details are correct at time of print publication.

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British Theatre and Performance 1900–1950

Bloomsbury Academic, 2015

Books

1

... of silent movies directed by the likes of D. W. Griffith and Cecil B. DeMille. As with other Classical and Biblical spectaculars, though, this was an inauthentic portrait of the East, with visual and linguistic references made to Cathay,...