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Edward II

~playauthor~Written by~ Christopher Marlowe , Martin Wiggins , Robert Lindsey ~playauthor~Edited by~ Martin Wiggins , Robert Lindsey

Methuen Drama, 2005

New Mermaids

Playtext

Scenes: 25, Roles: Total (38), Female (5), Male (33), Unassigned (0)

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Summary
...When the courageous and impressive Edward I dies, his son, Edward II, is a disappointing successor. He prefers domestic tasks to waging wars, and he prefers men to women. However, Edward I’s death is good news for Piers Gaveston, who has...
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... Jonathan Silverman as Jerry Hyland Steve Vinovich as Lawrence Vail and others Directed by Christopher Hart. Recorded before a live audience at the Skirball Cultural Center in Los Angeles. Featuring: Caroline Aaron, Edward Asner, Jen Dede,...

barbarian, barbarous

Christopher Ivic

Christopher Ivic is Senior Lecturer in English, Bath Spa University, Bath, UK Author affiliation details are correct at time of print publication.

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Shakespeare and National Identity : A Dictionary

Bloomsbury Arden Shakespeare, 2017

Books

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... the chapter ‘Barbarism and Its Contexts’ in Hart (2009). See also Giddens (2010–11), who astutely argues that Titus Andronicus ‘label[s] all represented groups – Romans and Moors as well as Goths – “barbarous”’....

Situating Friel

Christopher Murray

Christopher Murray is Emeritus Professor of English and Drama at University College, Dublin, Ireland, where he was the founder member and first director of the UCD Drama Centre offering MA and PhD in Modern Drama Studies. His many publications include Twentieth-Century Irish Drama: Mirror up to Nation. He is chair of the board of directors of the Gaiety School of Acting, Dublin. Author affiliation details are correct at time of print publication.

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The Theatre of Brian Friel : Tradition and Modernity

Bloomsbury Methuen Drama, 2014

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... Christopher Murray , London : Faber, 1999, pp. 18–19 . Cf. W. B. Yeats , ‘Emotion...

Performances and a General Conclusion

Christopher Murray

Christopher Murray is Emeritus Professor of English and Drama at University College, Dublin, Ireland, where he was the founder member and first director of the UCD Drama Centre offering MA and PhD in Modern Drama Studies. His many publications include Twentieth-Century Irish Drama: Mirror up to Nation. He is chair of the board of directors of the Gaiety School of Acting, Dublin. Author affiliation details are correct at time of print publication.

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The Theatre of Brian Friel : Tradition and Modernity

Bloomsbury Methuen Drama, 2014

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1

... London : Hart-Davis, 1962, p.66. Similarly, Performances makes the interpreter, the audience, analogous with the role of Anezka, the interviewer of Janáček. In imagining duplicity Friel makes us...

Introduction

Christopher Innes

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Christopher Innes is a Professor of English at York University, Canada, and holds the Canada Research Chair in Performance and Culture. He is the author of many books on modern drama and theatre history. Author affiliation details are correct at time of print publication.

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Martin Middeke

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Middeke Martin (born 24 April 1963 in Paderborn) is a German literary scholar and Chair of English Literature at the University of Augsburg, Germany. Author affiliation details are correct at time of print publication.

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Matthew C. Roudané

Dr Matthew Roudané is Professor of English and Chair at Georgia State University, USA. Author affiliation details are correct at time of print publication.

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Peter Paul Schnierer

Dr Peter Paul Schnierer is the Chair of English Literature at the University of Heidelberg, Germany. Author affiliation details are correct at time of print publication.

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The Methuen Drama Guide to Contemporary American Playwrights

Bloomsbury Methuen Drama, 2014

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... Broadway production, Trey Parker, Robert Lopez and Matt Stone, its creators, decided to stage it at the Eugene O’Neill Theatre in the heart of Broadway. In Viewing America: Twenty-First Century Television Drama, Christopher Bigsby suggests...

‘Orpheus with his lute’: Symbolic persons

Christopher R. Wilson

Christopher R.Wilson is Professor in the Department of Music at the University of Hull, UK. He has published on English music/words topics from the late medieval period to the 20th century. Author affiliation details are correct at time of print publication.

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Shakespeare’s Musical Imagery

Bloomsbury Academic, 2011

Books

1

... did styrre and make softe with his pleasaunte melodye the mooste harde rockes and stones. And what is their meaninge herein? Assuredlye nothinge elles, but that a wise and well spoken manne, did call back harde harted menne, suche as liued...

woeful

Christopher R. Wilson

Christopher R.Wilson is Professor in the Department of Music at the University of Hull, UK. He has published on English music/words topics from the late medieval period to the 20th century. Author affiliation details are correct at time of print publication.

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and

Michela Calore

Michela Calore is an independent scholar who specializes in the staging conditions of the Elizabethan theatre. She has a particular interest in the Rose theatre and the repertoire of the Admiral's Men, and has published articles on the language and staging of plays written in the 1580s and the 1590s. Author affiliation details are correct at time of print publication.

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Music in Shakespeare : A Dictionary

Bloomsbury Arden Shakespeare, 2005

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2

... for this ‘resuscitation’ rite belongs to the Phrygian religious ceremonies centring on the cult of Diana of Ephesus, which employed jarring (‘rough’) music, ‘notorious for its “savagery”’ (Hart, p. 320).See also doleful.(C) Hart, ‘Cerimon’s “Rough Music”’ (2000), provides an insightful analysis of the healing and sacred power of music in connection with the Phrygian cult of Diana....

‘A thousand twangling instruments’: Art and country instruments

Christopher R. Wilson

Christopher R.Wilson is Professor in the Department of Music at the University of Hull, UK. He has published on English music/words topics from the late medieval period to the 20th century. Author affiliation details are correct at time of print publication.

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Shakespeare’s Musical Imagery

Bloomsbury Academic, 2011

Books

1

... Christopher R. Wilson (ed.) A New Way of Making Fowre Parts in Counterpoint by Thomas Campion and Rules How to Compose by Giovanni Coprario ( Aldershot :...

music

Christopher R. Wilson

Christopher R.Wilson is Professor in the Department of Music at the University of Hull, UK. He has published on English music/words topics from the late medieval period to the 20th century. Author affiliation details are correct at time of print publication.

Search for publications
and

Michela Calore

Michela Calore is an independent scholar who specializes in the staging conditions of the Elizabethan theatre. She has a particular interest in the Rose theatre and the repertoire of the Admiral's Men, and has published articles on the language and staging of plays written in the 1580s and the 1590s. Author affiliation details are correct at time of print publication.

Search for publications

Music in Shakespeare : A Dictionary

Bloomsbury Arden Shakespeare, 2005

Books

1

... the character of the doctor is omitted.Another play which insists on the idea of ‘music as a healing agent’ (Hart, p. 316) is Pericles. Gower, who acts as a chorus figure throughout, establishes this at the very beginning of this romance:In the same...