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Articulation – Shaping Thought and Action

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

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John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

0

...Once the breath has vibrated the vocal folds, it is amplified by the resonators and formed into the shapes of words by the articulators: the tongue (tip, blade, front, back and root), lips, teeth, alveolar ridge, hard palate, soft palate...

Breath – The Great Creative Connector

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

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and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

1

... that the abdominals engage automatically. This is preferable to actively tensing theabdominals to push the diaphragm back up. Again, it is a matter of working with what naturally occurs. As Christina Shewell maintains, the subtle engagement...

Centred Onset of Sound – The Vocal Identity of the Actor

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

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and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

0

...Onset of sound is the initiation of vocal sound by breath flowing up to closed vocal folds, creating air pressure and making them vibrate.Centred onset of sound is produced by teamwork between the onset of sound and the core support...

The Organic Acting Approach and The Voice

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

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and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

0

...In this chapter we look at the obstacles to integrating voice into acting and possible solutions.In the organic approach to performance we aim to integrate impulse, language, mind, body and voice so that we recreate a human experience...

The Organic Acting Approach and the Brain

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

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and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

0

...To understand how voice production and other conscious work, and all our human resources – mind, body, imagination, will, senses and emotions – may be organically integrated into the acting process, we now need to look at how they relate...

Seeing, Sensing and Feeling

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

Search for publications
and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

Search for publications

Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

0

...Here we develop and enrich our sense of the character and the world and themes of the script through creating sensory and emotional experience. We examine the creation of images, both visual and relating to the other senses; sense memory...

Alignment – Backbone of the Action

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

Search for publications
and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

0

...Alignment is the posture adopted by the body to work against the pull of gravity. The optimum alignment uses a minimum of muscular activity to sustain itself. All the components of bone and muscular structure align to achieve balance...

From Action to Form

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

Search for publications
and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

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Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

1

... : 40). For example: Christina: Package! John: I’m on the computer....

Awareness, Ease and Focus

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

Search for publications
and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

Search for publications

Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

0

...In this chapter we look at the importance of the actor developing awareness as a human being, since inventive creativity depends on both imagination, and understanding and experience of life. Ease and focus are basic essentials...

Character Voice

Christina Gutekunst

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

Search for publications
and

John Gillett

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

Search for publications

Voice Into Acting : Integrating voice and the Stanislavski approach

Bloomsbury Methuen Drama, 2013

Books

0

...In the previous three chapters we’ve looked at the importance of ease and focus to prepare your mind and body for creativity; at the foundation of circumstances, interaction and objectives for the creation of character; and at the role...