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Introduction: Spectating as Sandbox Play

Affective Performance and Cognitive Science : Body, Brain and Being

Bloomsbury Methuen Drama, 2013

Books

2

... , John R. Cacioppo and Richard L. Rapson , ‘Primitive Emotional Contagion’ in S. Margaret Clark...

The Critical Backstory

Doctor Faustus: A Critical Guide

Bloomsbury Arden Shakespeare, 2010

Books

2

... , ‘The Comic Synthesis in Doctor Faustus ’, ELH 22 (1955), pp. 165–72; R....

Shakespeare’s Residuals

Shakespeare and Elizabethan Popular Culture : The Arden Critical Companions

Bloomsbury Methuen Drama, 2006

Books

6

... pp.62–3; Bruce R. Smith , The Acoustic World of Early Modern England: Attending to the O-Factor ( Chicago IL , 1999), pp.196–8....

Within, Without, Withinwards: The Circulation of Sound in Shakespeare’s Theatre

The Arden Shakespeare Library : Shakespeare’s Theatres and the Effects of Performance

Bloomsbury Arden Shakespeare, 2014

Books

6

... of orientation in Macbeth from beginning to end. Bruce R. Smith , ‘E/loco/co/motion’, in From...

The Critical Backstory

The Jew of Malta: A Critical Reader

Bloomsbury Arden Shakespeare, 2013

Books

2

... A more massive compendium, R. M. Cornelius’s Christopher Marlowe’s Use of the Bible concludes that Marlowe believed in Christianity, that his biblical references are careful and accurate, and that his plays reflect Christian...