Allan Dumbreck is a Senior Lecturer in Music at the University of the West of Scotland, UK. He is the subject leader for a team of academics in the music performance, production and entrepreneurship sectors. Author affiliation details are correct at time of print publication.
Gayle McPherson is a Professor of Events and Cultural Policy within the School of Creative and Cultural Industries at the University of the West of Scotland. She has published widely on events and festivals policy, culture and society and the social and cultural impact of events on cities and nation states. Author affiliation details are correct at time of print publication.
Debate continues over the fairness (in terms of artist and songwriter remuneration) of services such as Spotify with, notably, Taylor Swift withdrawing her entire catalogue from the online provider (as already identified by Jeff Izzo) amid...
... recording industry’s trade body, the BPI (British Phonographic Industry), claimed recently that the ‘British music sector is risk-taking, innovative and at the cutting edge of trends’ (Taylor, 2013
Although such descriptions...
... superstar Taylor Swift abruptly removed her entire catalogue from music streaming company Spotify, followed approximately a week later by country superstar Jason Aldean removing his most recent album from the service (his previous recordings...
Documenting Performance: The Context and Processes of Digital Curation and Archiving
Bloomsbury Academic, 2017
...Since the 1990s, weight has been given to the reception of the photographic document and the phenomenological experience of observing such an artefact.
See Jones (1997) and Auslander (2006).
Debates about documenting...
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