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John Osborne’s Look Back in Anger

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Bloomsbury Academic, 2008

Short Guides and Biography

2

Image
...Look Back in Anger is one of the few works of drama that are indisputably central to British culture in general, and its name is one of the most well-known in postwar cultural history. Its premiere in 1956 sparked off the first "new wave...

Theatre in the 1990s

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Modern British Playwriting: The 1990s : Voices, Documents, New Interpretations

Bloomsbury Methuen Drama, 2012

Books

2

... Aleks Sierz , ‘British Theatre in the 1990s: A Brief Political Economy’, Media, Culture and Society ,...

Documents

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Modern British Playwriting: The 1990s : Voices, Documents, New Interpretations

Bloomsbury Methuen Drama, 2012

Books

2

... in the Fabric’ is published in New Theatre Quarterly, Vol. 20, No. 4 (November 2004), pp. 305–14. For a report on the Goldsmiths lecture see Aleks Sierz...

'French Is My Film Or TV'

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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The Theatre of Martin Crimp

Bloomsbury Methuen Drama, 2013

Books

0

...The Chairs, One More Wasted Year, Roberto Zucco, The Maids, The Triumph of Love, The False ServantAs well as writing original dramas, Martin Crimp has also enjoyed a parallel career as a translator of French plays. At times this sideline...

Cult of the New?

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Rewriting The Nation

Bloomsbury Methuen Drama, 2011

Books

2

... Theatre , p. 75 ; see also Aleks Sierz, John Osborne’s Look Back in Anger, and Peter Gill ,...

What Is New Writing?

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Rewriting The Nation

Bloomsbury Methuen Drama, 2011

Books

2

... ; see also Aleks Sierz , ‘Rewrite the Script’, The Times, 25 April 2001. And doesn’t the focus on youth lead to the ticklish question...

Love Hurts

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Rewriting The Nation

Bloomsbury Methuen Drama, 2011

Books

2

... really attracted me to string theory was the language in which it is described: almost religious. All about dwelling in possibility and questing after the unknowable, living in between doubt and fear.’ Interview with Aleks Sierz...

'Dialogue Is Inherently Cruel'

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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The Theatre of Martin Crimp

Bloomsbury Methuen Drama, 2013

Books

2

...Martin Crimp in Conversation South-West London Aleks Sierz Let's start at the beginning. When you left university, you obviously decided to become...

Introduction: Living in the 1990s

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Modern British Playwriting: The 1990s : Voices, Documents, New Interpretations

Bloomsbury Methuen Drama, 2012

Books

0

...The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union, 1999 Nastasja One day. I’ll tell you the story of my life. I’ll write it for a play and they’ll make it into a worldwide film...

Conclusion

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Rewriting The Nation

Bloomsbury Methuen Drama, 2011

Books

2

... Aleks Sierz , ‘Reality Sucks’, pp. 102–7. Her perception was that most playwrights portrayed untypically extreme characters who were either unusually vicious or mentally...