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The Performance and Beyond

Peter Maccoy

Peter Maccoy has been a professional theatre practitioner for over 25 years. He has worked as a stage manager for many theatre companies including The Mercury Theatre, Colchester, The National Theatre, the Chichester Festival, the Peter Hall Company, the Almeida and MuLan Theatre Company. He has taught at Central School of Speech and Drama since 1993. His Essentials of Stage Management was published by Methuen Drama in 2004. Author affiliation details are correct at time of print publication.

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Essentials of Stage Management

A & C Black Ltd, 2004

Books

...Once the first performance has been achieved, the main focus for stage management is to manage the production. This involves running each performance, and monitoring and maintaining the quality of the production both artistically...

Methods: Curating

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...The choice of the plays is no trifle . . . Lessing, Gotthold Ephraim (1962), Hamburg Dramaturgy, with a new introduction by Victor Lange, New York: Dover Publications, Preface, p. 3. Lessing, Gotthold Ephraim...

Introducing ‘Expanded’ Scenography

Joslin McKinney

Joslin McKinney is Associate Professor in Scenography, Deputy Head of School and Programme Manager for the postgraduate course in Performance Design in the School of Performance & Cultural Industries at the University of Leeds, UK. Author affiliation details are correct at time of print publication.

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and

Scott Palmer

Scott Palmer is Associate Professor in Scenography at the University of Leeds, UK and co-convenor of the International Federation of Theatre Research Scenography Working Group. Author affiliation details are correct at time of print publication.

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Scenography Expanded : An Introduction to Contemporary Performance Design

Bloomsbury Methuen Drama, 2016

Books

...Scenography has long been associated with the design of settings for the performance of dramatic works on stage. However, the capacity for scenography to operate independently from a theatre text, as ‘visual dramaturgy’ (Lehmann 2006: 157...

Audience Immersion, Mindfulness and the Experience of Scenography

Scenography Expanded : An Introduction to Contemporary Performance Design

Bloomsbury Methuen Drama, 2016

Books

...Over the past decade there has been a rise in immersive design-led experiences in theatre and art contexts that are inviting new modes of embodied engagement. With the proliferation of experiential artworks and performances, audiences...

Methods: New Drama Development

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...Work on a good piece of writing proceeds on three levels: a musical one, where it is composed, an architectural one, where it is constructed, and finally a textile one, where it is woven...

Methods: Dramaturgy and Translation

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...An earlier version of this chapter, ‘Dramaturgical roles in translation processes’, was presented at the Invisible Presences: Translation, Dramaturgy and Performance international conference, at Queen’s...

The Production Period

Peter Maccoy

Peter Maccoy has been a professional theatre practitioner for over 25 years. He has worked as a stage manager for many theatre companies including The Mercury Theatre, Colchester, The National Theatre, the Chichester Festival, the Peter Hall Company, the Almeida and MuLan Theatre Company. He has taught at Central School of Speech and Drama since 1993. His Essentials of Stage Management was published by Methuen Drama in 2004. Author affiliation details are correct at time of print publication.

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Essentials of Stage Management

A & C Black Ltd, 2004

Books

...The production period starts with the ‘get-in’ (‘load-in’ in the US) and ‘fit-up’ and continues until the opening night. The level of involvement of stage management in the early stages will depend on the scale of the production...

Stage Properties

Peter Maccoy

Peter Maccoy has been a professional theatre practitioner for over 25 years. He has worked as a stage manager for many theatre companies including The Mercury Theatre, Colchester, The National Theatre, the Chichester Festival, the Peter Hall Company, the Almeida and MuLan Theatre Company. He has taught at Central School of Speech and Drama since 1993. His Essentials of Stage Management was published by Methuen Drama in 2004. Author affiliation details are correct at time of print publication.

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Essentials of Stage Management

A & C Black Ltd, 2004

Books

...Stage management are traditionally responsible for acquiring and managing stage properties (props) and furniture. This acquisition of props is referred to as ‘propping’. The level of this responsibility will vary according to several...

Survival

Chris Johnston

Chris Johnston is a theatre theatre director and playwright. He is the Director of Fluxx, the improvisation company, and Co-Director of Rideout and Livestock. He is the author of House of Games, The Improvisation Game and For Those Who Like To Say No. He has taught at a range of colleges and institutions including University of Warwick and Staffordshire University, UK. Author affiliation details are correct at time of print publication.

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Disobedient Theatre : Alternative Ways to Inspire, Animate and Play

Bloomsbury Methuen Drama, 2017

Books

...The cultivating of broader and longer-term productive relations with a spectator constituency In this section there’s a focus on how artists look to create relationships with constituencies in such a way that can assist...

The Judiciary's “Lonely Splendor”: Courtroom TV and the Battle for Ideological Influence

Sarah Kozinn

Dr Sarah Kozinn is a Mellon postdoctoral fellow in the Department of Theater at Occidental College in Los Angeles, California, USA. She is a scholar of law and performance, develops new works for film, TV and the web, and acts professionally in film, theater and television. Author affiliation details are correct at time of print publication.

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Justice Performed : Courtroom TV Shows and the Theaters of Popular Law

Bloomsbury Methuen Drama, 2015

Books

...At some point during every reality courtroom TV show the announcer or a title card will remind the audience that what they are about to see is real. Divorce Court boasts, “Real couples. Real disputes.” The People's Court announcer...