Loading
Loading

Results

  • Theatre space and sites
Sort By:  1-10 of 188 (19 pages)
Results per page:
         

Methods: Curating

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Search for publications

Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...The choice of the plays is no trifle . . . Lessing, Gotthold Ephraim (1962), Hamburg Dramaturgy, with a new introduction by Victor Lange, New York: Dover Publications, Preface, p. 3. Lessing, Gotthold Ephraim...

Between Symbolic Representation and New Critical Realism: Architecture as Scenography and Scenography as Architecture

Scenography Expanded : An Introduction to Contemporary Performance Design

Bloomsbury Methuen Drama, 2016

Books

...While architecture and scenography share a common history, their mainstream functions are fundamentally different, and the primary aim of architecture, namely to provide shelter, is typically posited against scenography as providing...

Ecologies of Autism: Vibrant Space in Imagining Autism

Scenography Expanded : An Introduction to Contemporary Performance Design

Bloomsbury Methuen Drama, 2016

Books

...This chapter demonstrates how scenography may be ‘expanded’ into therapeutic applications. The focus is the affective space of scenography within Imagining Autism: Drama, Performance and Intermediality as Interventions for Autistic Spectrum...

The Performance and Beyond

Peter Maccoy

Peter Maccoy has been a professional theatre practitioner for over 25 years. He has worked as a stage manager for many theatre companies including The Mercury Theatre, Colchester, The National Theatre, the Chichester Festival, the Peter Hall Company, the Almeida and MuLan Theatre Company. He has taught at Central School of Speech and Drama since 1993. His Essentials of Stage Management was published by Methuen Drama in 2004. Author affiliation details are correct at time of print publication.

Search for publications

Essentials of Stage Management

A & C Black Ltd, 2004

Books

...Once the first performance has been achieved, the main focus for stage management is to manage the production. This involves running each performance, and monitoring and maintaining the quality of the production both artistically...

Notes

Sarah Kozinn

Dr Sarah Kozinn is a Mellon postdoctoral fellow in the Department of Theater at Occidental College in Los Angeles, California, USA. She is a scholar of law and performance, develops new works for film, TV and the web, and acts professionally in film, theater and television. Author affiliation details are correct at time of print publication.

Search for publications

Justice Performed : Courtroom TV Shows and the Theaters of Popular Law

Bloomsbury Methuen Drama, 2015

Books

Thinking That Matters: Towards a Post-Anthropocentric Approach to Performance Design

Scenography Expanded : An Introduction to Contemporary Performance Design

Bloomsbury Methuen Drama, 2016

Books

...‘Designing is a process whereby the matter of the world becomes meaningful’, observes Anne Balsamo (2011: 12). Objects, spaces and materials are not recipients of pre-conceived meanings that are imposed on them through the design process...

Methods: Dramaturgy and Translation

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Search for publications

Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...An earlier version of this chapter, ‘Dramaturgical roles in translation processes’, was presented at the Invisible Presences: Translation, Dramaturgy and Performance international conference, at Queen’s...

The Production Period

Peter Maccoy

Peter Maccoy has been a professional theatre practitioner for over 25 years. He has worked as a stage manager for many theatre companies including The Mercury Theatre, Colchester, The National Theatre, the Chichester Festival, the Peter Hall Company, the Almeida and MuLan Theatre Company. He has taught at Central School of Speech and Drama since 1993. His Essentials of Stage Management was published by Methuen Drama in 2004. Author affiliation details are correct at time of print publication.

Search for publications

Essentials of Stage Management

A & C Black Ltd, 2004

Books

...The production period starts with the ‘get-in’ (‘load-in’ in the US) and ‘fit-up’ and continues until the opening night. The level of involvement of stage management in the early stages will depend on the scale of the production...

Stage Properties

Peter Maccoy

Peter Maccoy has been a professional theatre practitioner for over 25 years. He has worked as a stage manager for many theatre companies including The Mercury Theatre, Colchester, The National Theatre, the Chichester Festival, the Peter Hall Company, the Almeida and MuLan Theatre Company. He has taught at Central School of Speech and Drama since 1993. His Essentials of Stage Management was published by Methuen Drama in 2004. Author affiliation details are correct at time of print publication.

Search for publications

Essentials of Stage Management

A & C Black Ltd, 2004

Books

...Stage management are traditionally responsible for acquiring and managing stage properties (props) and furniture. This acquisition of props is referred to as ‘propping’. The level of this responsibility will vary according to several...

Survival

Chris Johnston

Chris Johnston is a theatre theatre director and playwright. He is the Director of Fluxx, the improvisation company, and Co-Director of Rideout and Livestock. He is the author of House of Games, The Improvisation Game and For Those Who Like To Say No. He has taught at a range of colleges and institutions including University of Warwick and Staffordshire University, UK. Author affiliation details are correct at time of print publication.

Search for publications

Disobedient Theatre : Alternative Ways to Inspire, Animate and Play

Bloomsbury Methuen Drama, 2017

Books

...The cultivating of broader and longer-term productive relations with a spectator constituency In this section there’s a focus on how artists look to create relationships with constituencies in such a way that can assist...