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David Williams

Alan Read is Professor of Theatre at King's College, London, UK. He was Director of the Council of Europe Workshop on Theatre and Communities, and Rotherhithe Theatre Workshop in the Docklands area of South East London, in the 1980s, worked as a freelance writer in Barcelona and as Director of Talks at the Institute of Contemporary Arts in the 1990s and was the first Professor of Theatre at Roehampton University and then King's College London between 1997 and the present. He is the author of Theatre & Everyday Life: An Ethics of Performance (1993) and Theatre, Intimacy & Engagement: The Last Human Venue (2008). He is the founding consultant editor of Performance Research journal. Author affiliation details are correct at time of print publication.

Michael Witmore is Director of the Folger Shakespeare Library in Washington DC, USA. Author affiliation details are correct at time of print publication.

Maurya Wickstrom is professor of theatre at The Graduate Center and College of Staten Island, City University of New York, USA. She is the author of two monographs, Performance in the Blockades of Neoliberalism: Thinking the Political Anew (2012) and Performing Consumers: Global Capital and its Theatrical Seductions (2006). Author affiliation details are correct at time of print publication.

Michael Witmore is Director of the Folger Shakespeare Library in Washington DC, USA. Author affiliation details are correct at time of print publication.

Maurya Wickstrom is professor of theatre at The Graduate Center and College of Staten Island, City University of New York, USA. She is the author of two monographs, Performance in the Blockades of Neoliberalism: Thinking the Political Anew (2012) and Performing Consumers: Global Capital and its Theatrical Seductions (2006). Author affiliation details are correct at time of print publication.

Michael Witmore is Director of the Folger Shakespeare Library in Washington DC, USA. Author affiliation details are correct at time of print publication.

Joe Kelleher

Mark Taylor-Batty

Carl Lavery teaches Theatre and Performance at Aberystwyth University, UK. His publications include Jean Genet Politics and Performance, with Clare Finburgh (2006), Sacred Theatre (2007), Walking, Writing and Performance: Autobiographical Texts by Dee Heddon, Carl Lavery and Phil Smith (2009), The Politics of Jean Genet's Late Theatre: Spaces of Revolution (2010), Contemporary French Theatre and Performance, with Clare Finburgh (2011), Good Luck Everybody. Lone Twin: Journeys, Performances and Conversations, with David Williams(2011), and the is he editor with Nick Whybrow of a special issue of Performance Research ‘On Foot’ (2012). Author affiliation details are correct at time of print publication.

Carl Lavery teaches Theatre and Performance at Aberystwyth University, UK. His publications include Jean Genet Politics and Performance, with Clare Finburgh (2006), Sacred Theatre (2007), Walking, Writing and Performance: Autobiographical Texts by Dee Heddon, Carl Lavery and Phil Smith (2009), The Politics of Jean Genet's Late Theatre: Spaces of Revolution (2010), Contemporary French Theatre and Performance, with Clare Finburgh (2011), Good Luck Everybody. Lone Twin: Journeys, Performances and Conversations, with David Williams(2011), and the is he editor with Nick Whybrow of a special issue of Performance Research ‘On Foot’ (2012). Author affiliation details are correct at time of print publication.