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Thea Brejzek (PhD, Mphil) is Professor for Spatial Theory at the University of Technology Sydney, Australia, and an internationally recognised expert in scenography. In 2011, she was the founding Curator for Theory at the Prague Quadrennial for Performance Design and Space (PQ). Recently, she has been a Visiting Professor at Bartlett School of Architecture, UK, and has been appointed to the international scientific advisory board of the Bauhaus, Dessau. Author affiliation details are correct at time of print publication.

Dr. Jim Volz is a Professor of Theatre at California State University, Fullerton, USA, and an international arts consultant and producer. He served as a longtime critic for New York’s Back Stage and is the founding editor of the Shakespeare Theatre Association’s international publication, Quarto. He has produced over 100 professional productions, consulted for over 100 arts institutions and published more than 100 articles on arts management, arts criticism, Shakespeare, and theatre. He was inducted into the College of Fellows of the American Theatre in 2014. He is the author of How to Run a Theatre and Working in American Theatre (Bloomsbury Methuen Drama). Author affiliation details are correct at time of print publication.

Dr. Jim Volz is a Professor of Theatre at California State University, Fullerton, USA, and an international arts consultant and producer. He served as a longtime critic for New York’s Back Stage and is the founding editor of the Shakespeare Theatre Association’s international publication, Quarto. He has produced over 100 professional productions, consulted for over 100 arts institutions and published more than 100 articles on arts management, arts criticism, Shakespeare, and theatre. He was inducted into the College of Fellows of the American Theatre in 2014. He is the author of How to Run a Theatre and Working in American Theatre (Bloomsbury Methuen Drama). Author affiliation details are correct at time of print publication.

Dr. Jim Volz is a Professor of Theatre at California State University, Fullerton, USA, and an international arts consultant and producer. He served as a longtime critic for New York’s Back Stage and is the founding editor of the Shakespeare Theatre Association’s international publication, Quarto. He has produced over 100 professional productions, consulted for over 100 arts institutions and published more than 100 articles on arts management, arts criticism, Shakespeare, and theatre. He was inducted into the College of Fellows of the American Theatre in 2014. He is the author of How to Run a Theatre and Working in American Theatre (Bloomsbury Methuen Drama). Author affiliation details are correct at time of print publication.

Dr. Jim Volz is a Professor of Theatre at California State University, Fullerton, USA, and an international arts consultant and producer. He served as a longtime critic for New York’s Back Stage and is the founding editor of the Shakespeare Theatre Association’s international publication, Quarto. He has produced over 100 professional productions, consulted for over 100 arts institutions and published more than 100 articles on arts management, arts criticism, Shakespeare, and theatre. He was inducted into the College of Fellows of the American Theatre in 2014. He is the author of How to Run a Theatre and Working in American Theatre (Bloomsbury Methuen Drama). Author affiliation details are correct at time of print publication.

Dr. Jim Volz is a Professor of Theatre at California State University, Fullerton, USA, and an international arts consultant and producer. He served as a longtime critic for New York’s Back Stage and is the founding editor of the Shakespeare Theatre Association’s international publication, Quarto. He has produced over 100 professional productions, consulted for over 100 arts institutions and published more than 100 articles on arts management, arts criticism, Shakespeare, and theatre. He was inducted into the College of Fellows of the American Theatre in 2014. He is the author of How to Run a Theatre and Working in American Theatre (Bloomsbury Methuen Drama). Author affiliation details are correct at time of print publication.

Dr. Jim Volz is a Professor of Theatre at California State University, Fullerton, USA, and an international arts consultant and producer. He served as a longtime critic for New York’s Back Stage and is the founding editor of the Shakespeare Theatre Association’s international publication, Quarto. He has produced over 100 professional productions, consulted for over 100 arts institutions and published more than 100 articles on arts management, arts criticism, Shakespeare, and theatre. He was inducted into the College of Fellows of the American Theatre in 2014. He is the author of How to Run a Theatre and Working in American Theatre (Bloomsbury Methuen Drama). Author affiliation details are correct at time of print publication.

Dr. Jim Volz is a Professor of Theatre at California State University, Fullerton, USA, and an international arts consultant and producer. He served as a longtime critic for New York’s Back Stage and is the founding editor of the Shakespeare Theatre Association’s international publication, Quarto. He has produced over 100 professional productions, consulted for over 100 arts institutions and published more than 100 articles on arts management, arts criticism, Shakespeare, and theatre. He was inducted into the College of Fellows of the American Theatre in 2014. He is the author of How to Run a Theatre and Working in American Theatre (Bloomsbury Methuen Drama). Author affiliation details are correct at time of print publication.

Ashley Lucas is Associate Professor of Theatre & Drama and the Residential College at the University of Michigan, Ann Arbor, USA, and Director of the Prison Creative Arts Project. She and Jodie Lawston co-edited the book Razor Wire Women: Prisoners, Scholars, Artists, and Activists (2011), and they cofounded a blog by the same name. Lucas also write the play Doin’ Time: Through the Visiting Glass, which she has performed as a one-woman show since 2004. Author affiliation details are correct at time of print publication.

Johanna Smith is Professor of Theatre Education, Improvisation, and Puppetry at California State University, San Bernardino where she is also part of the Entrepreneurship faculty. She has served as an artist and educator for professional theatres, museums, colleges, libraries, public schools, private schools, and preschools around the world and loves how puppetry captivates everyone, everywhere. She is a frequent presenter on puppetry as a powerful educational and artistic tool for teachers, and has taken her own "no budget" puppetry productions with CSUSB students on international tours. Author affiliation details are correct at time of print publication.