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Sacrifice

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...The aim of this book is to sketch a history of tragedy and comedy in the West through a discussion of individual plays. Each chapter will begin with a brief sketch of the status of tragedy and comedy in that particular period, touching...

Tragedy, Comedy and Ritual

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...Although tragedy and comedy are closely entwined, it is the former which has fascinated critics the more, largely because of the problem of suffering. Why does it happen, what does it mean and what can be done about it? We might even say...

Conclusion: Tragedy, Comedy and Sacrifice in Popular Culture

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...The idea of sacrifice, its nature and function, remains at the heart of how we think about ourselves and the world. It is the subject of academic study, and of novels and films...

Contexts

Virginia Mason Vaughan

Virginia Mason Vaughan is Professor Emerita and Research Professor at Clark University, USA. She is a leading international expert on The Tempest, and co-editor of the Arden Third Series edition of the play. Author affiliation details are correct at time of print publication.

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Shakespeare and the Gods

The Arden Shakespeare, 2019

Books

...As flies to wanton boys are we to the gods, They kill us for their sport. Princes … should live like gods above, Who freely give to every one that come to honour them...

Medieval Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

Search for publications

The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...Although we encounter some of the same problems with Medieval drama that we did with Greek and Roman drama, for example, having to draw conclusions from only a small number of surviving plays, we also encounter new ones. The first being...

Renaissance Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...Going to the theatre in fifth-century Athens was mainly a civic duty; in sixteenth- and seventeenth-century London it was mostly a form of entertainment. The pleasures of the stage had to compete with those of the alehouse, acrobatic...

Afterthoughts

Virginia Mason Vaughan

Virginia Mason Vaughan is Professor Emerita and Research Professor at Clark University, USA. She is a leading international expert on The Tempest, and co-editor of the Arden Third Series edition of the play. Author affiliation details are correct at time of print publication.

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Shakespeare and the Gods

The Arden Shakespeare, 2019

Books

...The gentleness of all the gods go with thee! When gods have hot backs, what shall poor men do? When I began to explore Shakespeare’s exploitation of classical mythology, I had few preconceptions about what I would find....

Blood Libel

Written by

Arnold Wesker

~playauthor~Written by~ Arnold Wesker

Oberon Books, 2012

Oberon Modern Playwrights

Playtext

Scenes: 22, Roles: Total (34), Female (9), Male (25), Unassigned (0)

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Summary
...Presented here are four epic history plays from Sir Arnold Wesker, which touch on the age-old conflicts caused by religion, science and the Establishment. Blood Libel (1991) investigates a calumny which persists...

Restoration and Eighteenth-Century Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...When General George Monk (1608–1670) negotiated Charles II’s return to England in 1660, the new king brought with him the culture of the continent chief of which, in terms of drama, was French neoclassicism – the belief that plays...

Diana

Virginia Mason Vaughan

Virginia Mason Vaughan is Professor Emerita and Research Professor at Clark University, USA. She is a leading international expert on The Tempest, and co-editor of the Arden Third Series edition of the play. Author affiliation details are correct at time of print publication.

Search for publications

Shakespeare and the Gods

The Arden Shakespeare, 2019

Books

...The goddess Diana resonated strongly in Shakespeare’s England, where sermons and tracts repeatedly underscored the importance of female chastity before marriage. In a society where property descended from father to son, the legitimacy...