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Sacrifice

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...The aim of this book is to sketch a history of tragedy and comedy in the West through a discussion of individual plays. Each chapter will begin with a brief sketch of the status of tragedy and comedy in that particular period, touching...

Conclusion: Tragedy, Comedy and Sacrifice in Popular Culture

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...The idea of sacrifice, its nature and function, remains at the heart of how we think about ourselves and the world. It is the subject of academic study, and of novels and films...

Tragedy, Comedy and Ritual

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...Although tragedy and comedy are closely entwined, it is the former which has fascinated critics the more, largely because of the problem of suffering. Why does it happen, what does it mean and what can be done about it? We might even say...

From Last Judgement to Leviathan: The Semiotics of Collective Temporality in Early Modern England

Robin S. Stewart

Robin S. Stewart

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Temporality, Genre and Experience in the Age of Shakespeare : Forms of Time

Bloomsbury Arden Shakespeare, 2018

Books

...This essay surveys the historical and cultural forces that transformed medieval Christian eschatology into the secular politics of modernity by analyzing how the iconography of late medieval Doomsday and Antichrist paintings were...

Medieval Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...Although we encounter some of the same problems with Medieval drama that we did with Greek and Roman drama, for example, having to draw conclusions from only a small number of surviving plays, we also encounter new ones. The first being...

Restoration and Eighteenth-Century Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...When General George Monk (1608–1670) negotiated Charles II’s return to England in 1660, the new king brought with him the culture of the continent chief of which, in terms of drama, was French neoclassicism – the belief that plays...

Twentieth and Twenty-First-Century Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

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The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...The conditions which gave rise to classical tragedy and comedy have long gone and the forms themselves have changed in response to various historical developments including Christianity, the rise of science and the spread of democracy...

Renaissance Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

Search for publications

The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...Going to the theatre in fifth-century Athens was mainly a civic duty; in sixteenth- and seventeenth-century London it was mostly a form of entertainment. The pleasures of the stage had to compete with those of the alehouse, acrobatic...

Roman Drama

Gary Day

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

Search for publications

The Story of Drama : Tragedy, Comedy and Sacrifice from the Greeks to the Present

Bloomsbury Methuen Drama, 2016

Books

...One of the problems in discussing Roman drama is that so little of it survives. We have the tragedies of Seneca (4 BCE–65 CE) and the comedies of Plautus (c. 254–c. 184 BCE) and Terence (c. 186–159 BCE) but that’s all. Of the other...

The York Mystery Plays

Written by

Mike Poulton

~playauthor~Written by~ Mike Poulton

Nick Hern Books, 2016

NHB Classic Plays

Playtext

Scenes: 36, Roles: Total (85), Female (18), Male (67), Unassigned (0)

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Summary
...Mike Poulton's version of the medieval play cycle known as The York Mystery Plays (a cycle that was first performed in the city of York in the 1300s) was commissioned for a production in York Minster in 2000 as part of the city's Millennium...