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Neal Utterback

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

Christopher J. Jackman

Rhonda Blair, Professor at Southern Methodist University in Dallas, TX, USA, is the author of The Actor, Image, and Action: Acting and Cognitive Neuroscience (2008), and essays in Theatre Topics, TDR, the Journal of Dramatic Theory and Criticism, among others, and several edited volumes. She was president of the American Society for Theatre Research, 2009-2012. Author affiliation details are correct at time of print publication.

Amy Cook, Associate Professor of Theatre Arts and English at Stony Brook University, New York, USA, is the author of Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science, (2010) and essays in, among others, Theatre Journal, TDR, SubStance, the Journal of Dramatic Theory and Criticism, Oxford Handbook of Dance and Theatre, the Oxford Handbook of 4E Cognition (forthcoming). She was the co-chair of the Working Group in Cognitive Science and Performance for American Society for Theatre Research from 2010-2014. Author affiliation details are correct at time of print publication.

David Ian Rabey is Professor of Drama and Theatre Studies at Aberystwyth University, UK. His writing includes Howard Barker: Politics and Desire (1989, 2009), Howard Barker: Ecstasy and Death (2009), English Drama Since 1940 (2003), David Rudkin: Sacred Disobedience (1997); as co-editor, Theatre of Catastrophe (with Karoline Gritzner, 2006) and Howard Barker's Art of Theatre (with Sarah Goldingay, 2012). Author affiliation details are correct at time of print publication.

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Vera Tobin

David Ian Rabey is Professor of Drama and Theatre Studies at Aberystwyth University, UK. His writing includes Howard Barker: Politics and Desire (1989, 2009), Howard Barker: Ecstasy and Death (2009), English Drama Since 1940 (2003), David Rudkin: Sacred Disobedience (1997); as co-editor, Theatre of Catastrophe (with Karoline Gritzner, 2006) and Howard Barker's Art of Theatre (with Sarah Goldingay, 2012). Author affiliation details are correct at time of print publication.

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Evelyn B. Tribble

Caroline Jester is a writer and dramaturg. She is a Fellow of the Institute of Creative and Critical Writing at Birmingham City University, UK, a Master on the MA in Dramatic Writing at Central Saint Martins, UK and has been Literary Manager and Dramaturg at the Birmingham Repertory Theatre, UK. Jester’s publications include Europa (2013), Dramatic Writing Masterclasses: Key Advice from the Industry Masters (2017) and Playwriting Across the Curriculum (2011). Author affiliation details are correct at time of print publication.

Caridad Svich is a playwright, associate editor of Contemporary Theatre Review and founder of NoPassport theatre alliance and press. She received a 2012 OBIE Award for Lifetime Achievement and the 2011 American Theatre Critics Association Primus Prize for The House of the Spirits. She has edited several books on theatre including Audience Revolution and Innovation in Five Acts (2016 & 2015), Out of Silence: Censorship in Theatre & Performance (2014), and Trans-Global Readings (2004). Author affiliation details are correct at time of print publication.