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Double Oliver

Louise Peacock is assistant professor of theatre practice at the University of Southern California, USA. She is the author of Serious Play: Modern Clown Performance (2009) and Slapstick and Comic Performance: Comedy and Pain (2014). She is a member of the editorial board of Comedy Studies. Author affiliation details are correct at time of print publication.

Katharine E. Low is a lecturer in Applied Theatre and Community Performance at the Royal Central School of Speech and Drama, University of London, UK. She has previously researched and facilitated practice in Tanzania and South Africa with specific reference to sexual health and local responses to HIV/AIDS prevention, as well as working with HIV+ refugee women in Manchester. Author affiliation details are correct at time of print publication.

Katharine Low

John Kenrick combines a passion for entertainment history with the practical know-how earned working on stage productions at every level from amateur to Broadway. This New York native pulls back the curtain and introduces audiences and students to the fascinating people behind show business legends. Every month, his website Musicals101.com introduces thousands of visitors to the history of stage and screen musicals. He has appeared on PBS, Biography, BBC TV and radio, National Public Radio and the Travel Channel. John currently teaches at the New School University and New York University’s Steinhardt School. Author affiliation details are correct at time of print publication.

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

John Kenrick combines a passion for entertainment history with the practical know-how earned working on stage productions at every level from amateur to Broadway. This New York native pulls back the curtain and introduces audiences and students to the fascinating people behind show business legends. Every month, his website Musicals101.com introduces thousands of visitors to the history of stage and screen musicals. He has appeared on PBS, Biography, BBC TV and radio, National Public Radio and the Travel Channel. John currently teaches at the New School University and New York University’s Steinhardt School. Author affiliation details are correct at time of print publication.

Wei Hua

Matthew White is an actor, theatre director and writer. He has taught and directed at many of the leading theatre schools in London, including The Royal Academy of Music, The Guildhall School of Music and Drama, and Mountview Academy of Theatre Arts. Directing in the West End includes; Top Hat (Aldwych Theatre), Sweet Charity (Theatre Royal, Haymarket), and Little Shop of Horrors (Duke of York’s Theatre). Author affiliation details are correct at time of print publication.

Leigh Woods