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  • Naturalistic/realistic drama
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...Age recommendation: 15+ (references to rape) This archive recording was captured on 9th May, 2017. Why is Justice blind? Is she impartial? Or is she blinkered? Friends take opposing briefs in a rape case. The key witness is a woman whose...

Conclusion

Louise Peacock

Louise Peacock is assistant professor of theatre practice at the University of Southern California, USA. She is the author of Serious Play: Modern Clown Performance (2009) and Slapstick and Comic Performance: Comedy and Pain (2014). She is a member of the editorial board of Comedy Studies. Author affiliation details are correct at time of print publication.

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Popular Performance

Bloomsbury Academic, 2015

Books

...In the introduction, Oliver Double put forward the four key features of popular performance as defined in this volume. So, in retrospect we can not only confirm the importance of those key features but can also demonstrate how connections...
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...Lillian Hellman examines a wealthy southern family and the greed that tears them apart. Regina’s brothers have inherited their father’s wealth, while after years of neglect, her dying husband is determined to see she gets nothing...
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...Age recommendation: 12+ This Young Vic production was recorded through National Theatre Live on 16th September, 2014. As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face...
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...When her husband dies, aging Miss Helen begins to fill her home in the remote South African bush with strange sculptures made from beer cans and old headlights. A local clergyman and a young woman visitor try to decide whether Miss Helens...
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...A searing drama in which a white South African journalist agrees to assist a young African-Canadian woman on a dangerous journey to locate her missing friend in South Africa. An L.A. Theatre Works full-cast performance featuring Akuyoe...
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...After his wife’s death, retired cop Walter ‘Pops’ Washington has made a home for his ex-felon son in his sprawling, rent-controlled, Riverside Drive apartment. Will a long-simmering feud with the NYPD cause him to lose his home...

Nothing Ever Happens

Andrew Tidmarsh

Andrew Tidmarsh is theatre and film director, writer and teacher. He has taught this practical approach to genre to writers, directors and actors at RADA, Goldsmiths, and Drama Centre at undergraduate and postgraduate level. He has directed in UK, Germany, Canada and Philippines, and is the director of an annual new writing festival at the Soho Theatre in London. He regularly teaches in Canada and Dubai. His book An Attitude for Acting will be published by Nick Hern books in 2011. Andrew Tidmarsh is a theatre director, film-maker and teacher. He has taught at leading drama schools and currently runs the Foundation course at RADA. He has directed work at Soho Theatre, Wimbledon Studio, Shakespeare's Globe and Jermyn Street Theatre. Author affiliation details are correct at time of print publication.

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Genre : A Guide to Writing for Stage and Screen

Bloomsbury Methuen Drama, 2014

Books

...A light-hearted way of looking at this type of narrative might be to say that there are three phases to a Chekhov play:Chekhov implies something similar:Let us be just as complex and as simple as life itself. People dine and at the same...
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...Age recommendation: 15+ (contains nudity) This Young Vic production was recorded through National Theatre Live from the Apollo Theatre in London’s West End on 22nd February, 2018. On a steamy night in Mississippi, a Southern family gather...

Coda:From Dhaka to Mabou Mines

Frode Helland

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Frode Helland is Professor of Scandinavian Literature and Director of the Centre for Ibsen Studies at the University of Oslo, Norway. Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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and

Mark Taylor-Batty

Mark Taylor-Batty

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Ibsen in Practice : Relational Readings of Performance, Cultural Encounters and Power

Bloomsbury Methuen Drama, 2015

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...Instead of trying to distil a forced essence or give a synoptic repetition of the previous chapters, I will end this book through a short reflection on two important factors in the practice of Ibsen not sufficiently covered by the preceding...