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Afterword

Molly Mullen

Molly Mullen is a Senior Lecturer in Applied Theatre at the University of Auckland’s Faculty of Education and Social Work. She has produced theatre education, youth theatre and community arts projects in the UK and New Zealand. Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...As explained in the introduction, this book began its journey as a research project involving three theatre companies. My engagement with the people and practices of these companies informed, shaped and challenged my thinking about applied...

Autogestión, Conviction, Collectivity and Plans A to Z: Colectivo Sustento in Continuous Resistance

Penelope Glass

Penelope Glass

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...There is more heart than there is cash for this work. Fighting for freedom has always been, and remains, unpaid work, regardless of what any capitalist system might tell us. Once we connect with that spirit, we will soon realize that we...

The Economies of Applied Theatre

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...Applied Theatre Consultants Ltd (ATCo) is a limited liability company, owned and run by Company Directors Peter and Briar O’Connor. In 2012, they employed a part-time National Programmes Manager and had a small team on contracts to run...

Applied Theatre and New Cultural Economies

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...This chapter focuses on contemporary forms of income generation that are largely new to the literature of applied theatre. These are forms that have emerged or been reframed within what Jen Harvie describes as the neoliberalization of arts...

The Merchant of Venice

William Shakespeare

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The Royal Shakespeare Company

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...In the melting pot of Venice, trade is God. With its ships plying the globe, the city opens its arms to all – as long as they come prepared to do business and there is profit to be made. When the gold is flowing, all is well – but when...

The ROOTS of US Applied Theatre Economies

Paul Bonin-Rodriguez

Paul Bonin-Rodriguez

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...An economy familiar to US applied theatre artists has been adopted more broadly in recent years. In a growing trend, increasing numbers of US artists are migrating into the non-traditional spaces, adopting the dialogical practices...

A Narrowing Sphere: Economization and Applied Theatre

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...When I began the research on which this book is based, ‘economy’ did not feel like my word, ‘economics’ even less so. I had set out to examine funding and management in applied theatre but quickly found these concepts encroaching into my...

The Long Tail/Tale: Seven Thought-provoking Mind-sets to Reframe your Applied Theatre Practices

Paul Sutton

Paul Sutton

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...Attempting to establish your own theatre company – as I did in 1988 – is always an act of faith rather than one based on cogent business planning. Those of us inspired to work in theatre do so primarily from creative motivations...

The Theatre Dividend: Reflecting on the Value of a Theatre and Social Housing Partnership in Bolton (UK)

Ben Dunn

Ben Dunn

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Jenny Hughes

Jenny Hughes

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...‘Housing committee at its November 1996 meeting made an “in principle” commitment to allocate 1% of its capital expenditure to art and cultural activity’. This note, taken from the minutes of the Housing committee of Bolton Metropolitan...

Foundation Funding: The Pedagogies of Applied Theatre Projects in Two Toronto Theatres

Lois Adamson

Lois Adamson

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Anne Wessels

Anne Wessels

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...Advocating for the state of arts funding is not new in Canada, but there seems to be a renewed sense of urgency. We recognize a change in the way we value and talk about theatre, applied and otherwise. As noted by dramaturg and writer...