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Tactics

Chris Johnston

Chris Johnston is a theatre theatre director and playwright. He is the Director of Fluxx, the improvisation company, and Co-Director of Rideout and Livestock. He is the author of House of Games, The Improvisation Game and For Those Who Like To Say No. He has taught at a range of colleges and institutions including University of Warwick and Staffordshire University, UK. Author affiliation details are correct at time of print publication.

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Disobedient Theatre : Alternative Ways to Inspire, Animate and Play

Bloomsbury Methuen Drama, 2017

Books

...These chapters are concerned more with tactics that allow an imagined disobedient theatre to fulfil a role in community or public contexts. 1. Animation Definition of animation and recent historical...

Crowdsourcing the Review and the Record: A Collaborative Approach to Theatre Criticism and Archiving in the Digital Age

Michelle MacArthur

Michelle MacArthur

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Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

...On 7 July 2008 at 1:49pm, Canadian theatre critic J. Kelly Nestruck posted a round-up of reviews of the Shaw Festival’s production of A Little Night Music on his Globe and Mail blog. Included amongst the notices was one written...

Theatre Criticism: Changing Landscapes

Duška Radosavljević

Duška Radosavljević is a Lecturer in Drama and Theatre Studies at the University of Kent. She has previously worked as the dramaturg at the Northern Stage Ensemble, an education practitioner at the RSC and as a theatre critic for the Stage newspaper. She is the editor of The Contemporary Ensemble (Routledge, 2013) and author of Theatre-Making (Palgrave, 2013). Author affiliation details are correct at time of print publication.

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Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

...Define a landscape.For a start, where does it begin and where does it end?It depends on where you are standing, your point of view and the breadth of your field of vision. Inevitably, the notion of a landscape presupposes the existence...

Do They Mean Me? A Survey of Fictional Theatre Critics

Mark Fisher

Mark Fisher is one of Scotland’s foremost commentators on the arts. With over 25 years’ experience, he is the Scottish theatre critic for The Guardian, a former editor of The List and a freelance contributor to Variety, The Scotsman and Scotland on Sunday. He is the author of The Edinburgh Fringe Survival Guide (“A wonderfully practical but also inspirational book full of good advice” - Lyn Gardner, The Guardian) and the co-editor of Made in Scotland, an anthology of plays published by Methuen Drama. Author affiliation details are correct at time of print publication.

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Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

...One of the most memorable sequences in Waiting for Godot (1956) comes in act two as the two tramps Vladimir and Estragon are losing patience with each other. They trade a series of insults that escalate in intensity. Vladimir kicks off...

Huff

Alice Saville

Alice Saville

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Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

...This review of the children’s theatre show Huff presented at the Traverse Theatre, Edinburgh by Catherine Wheels Theatre Company first appeared in Exeunt on 23 August 2014 ( http://exeuntmagazine.com/reviews/huff/...

Conversation and Criticism: Audiences and Unfinished Critical Thinking

Matthew Reason

Matthew Reason is Professor of Theatre and Performance at York St John University, UK. Publications include Documentation, Disappearance and the Representation of Live Performance (2006), The Young Audience: Exploring and Enhancing Children's Experiences of Theatre (2010) and, co-edited with Dee Reynolds, Kinesthetic Empathy in Creative and Cultural Contexts (2012). Author affiliation details are correct at time of print publication.

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Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

...The conversation takes place between eight of us; sitting in a circle in an upstairs room of the Tramway in Glasgow, just after watching Needcompany’s The Porcelain Project. It is essentially an aftershow conversation, much like the many...

Teh Internet is a Serious Business

Megan Vaughan

Megan Vaughan

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Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

...Megan Vaughan’s review of the Royal Court production Teh Internet Is a Serious Business was originally published on her blog Synonyms for Churlish on 23 September 2014 (...

How to Think Like a Theatre Critic

Alison Croggon

Alison Croggon

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Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

...This piece was originally written for the Australian literary magazine Island and was published in No. 137 in 2014. At first, you mustn’t think. You arrive at the place assigned for performance. It may be a theatre, it may be a shed...

Nota

Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

...This text was first published in Contemporary Theatre Review (online), February 2015 ( http://www.contemporarytheatrereview.org/2015/nota/ ). The selection of notes is published here for the first time...

‘A more gentle sensation towards the original’: pride and prejudice as concealed autobiography

Deborah Cartmell

Deborah Cartmell is Professor of English, De Montfort University, UK. Her recent publications include Adaptations in the Sound Era: 1927-3, Teaching Adaptations, ed. and A Companion to Literature, Film and Adaptation. She is co-editor and founder of the international journals, Adaptation and Shakespeare and series editor of the Bloomsbury Adaptation Histories. Author affiliation details are correct at time of print publication.

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Screen Adaptations Jane Austen’s Pride and Prejudice : The Relationship between Text and Film

Methuen Drama, 2010

Books

...Revisiting the portrait of Darcy in Pemberley, Elizabeth develops a ‘more gentle sensation towards the original’ in much the way that the more we revisit the historical figure of Jane Austen, in spite of the surviving letters...