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Chris Johnston is a theatre theatre director and playwright. He is the Director of Fluxx, the improvisation company, and Co-Director of Rideout and Livestock. He is the author of House of Games, The Improvisation Game and For Those Who Like To Say No. He has taught at a range of colleges and institutions including University of Warwick and Staffordshire University, UK. Author affiliation details are correct at time of print publication.

Adam Nash

Laurene Vaughan

Gillian Whiteley

Mark Fisher is one of Scotland’s foremost commentators on the arts. With over 25 years’ experience, he is the Scottish theatre critic for The Guardian, a former editor of The List and a freelance contributor to Variety, The Scotsman and Scotland on Sunday. He is the author of The Edinburgh Fringe Survival Guide (“A wonderfully practical but also inspirational book full of good advice” - Lyn Gardner, The Guardian) and the co-editor of Made in Scotland, an anthology of plays published by Methuen Drama. Author affiliation details are correct at time of print publication.

David Cameron is deputy director of Academic Technologies in the Centre for Teaching and Learning at the University of Newcastle, Australia. His publications include How Drama Activates Learning: Contemporary Research and Practice (Bloomsbury, 2013) and Drama education with digital technology (Bloomsbury, 2009) both co-edited with M. Anderson. Author affiliation details are correct at time of print publication.

Michael Anderson is Professor of Education at the University of Sydney, Australia. His previous books include: Partnerships in Education Research: Creating Knowledge that Matters (Bloomsbury, 2014), and MasterClass in Drama Education: Transforming Teaching and Learning (Bloomsbury, 2012), and Drama education with digital technology, co-edited with J. Carroll and D. Cameron (Continuum, 2009) Author affiliation details are correct at time of print publication.

Rebecca Wotzko teaches in the School of Communication and Creative Industries, Charles Sturt University, Australia. Author affiliation details are correct at time of print publication.

Daniel Schulze is a teaching fellow in English Literature and Culture at the University of Würzburg, Germany. He combines artistic practice with scholarly research and teaching, and has worked in professional theatre as personal assistant to director Robert Wilson. Author affiliation details are correct at time of print publication.

Caroline Jester is a writer and dramaturg. She is a Fellow of the Institute of Creative and Critical Writing at Birmingham City University, UK, a Master on the MA in Dramatic Writing at Central Saint Martins, UK and has been Literary Manager and Dramaturg at the Birmingham Repertory Theatre, UK. Jester’s publications include Europa (2013), Dramatic Writing Masterclasses: Key Advice from the Industry Masters (2017) and Playwriting Across the Curriculum (2011). Author affiliation details are correct at time of print publication.

Caridad Svich is a playwright, associate editor of Contemporary Theatre Review and founder of NoPassport theatre alliance and press. She received a 2012 OBIE Award for Lifetime Achievement and the 2011 American Theatre Critics Association Primus Prize for The House of the Spirits. She has edited several books on theatre including Audience Revolution and Innovation in Five Acts (2016 & 2015), Out of Silence: Censorship in Theatre & Performance (2014), and Trans-Global Readings (2004). Author affiliation details are correct at time of print publication.

Graham Saunders is Reader in Theatre Studies at the University of Reading. He has written extensively on contemporary British theatre, including three volumes on the work of Sarah Kane, is the author of Patrick Marber's Closer (Continuum/Bloomsbury, 2008) and co-editor of Cool Britannia: Political Theatre in the 1990s (Palgrave, 2008). Author affiliation details are correct at time of print publication.

Liz Tomlin is senior lecturer in the Department of Drama and Theatre Arts at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.