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Conclusion

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Rewriting The Nation

Bloomsbury Methuen Drama, 2011

Books

...Jeremy And you are Jamaican? British? What do you guys call yourselves now? Lavelle (ignores) Whatever.In the 2000s, British new writing took a wide variety of forms, and grasped the opportunity to stage an ongoing conversation...

Rockin’ All Over the Globe

Adam Hansen

Adam Hansen is Lecturer in English at Northumbria University, UK. Author affiliation details are correct at time of print publication.

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Shakespeare and Popular Music

Bloomsbury Academic, 2010

Books

...Describing Shakespeare’s place in the modern world, Michael D. Bristol influentially observed:Shakespeare is a term with extraordinary currency in a wide range of discursive practices as a complex symbol of cultural value … it refers...

Popular Community Theatre

The Methuen Drama Guide to Contemporary South African Theatre

Bloomsbury Methuen Drama, 2015

Books

...The Seed; To Be Like This Rock ( Umsindo Theatre Projects) The Milk Factory; Fikile (Emuhle All Artists) Introduction During the apartheid...

Contemporary Collaborators II: Magnet Theatre

The Methuen Drama Guide to Contemporary South African Theatre

Bloomsbury Methuen Drama, 2015

Books

...Introduction In 2012, South Africa’s Magnet Theatre Company celebrated its 25th year of creating an original repertoire of performance events that emphasize the primacy of the body. A distinctive aspect of this company...

Other Critical Perspectives

Esther Kim Lee

Esther Kim Lee is Associate Professor and Associate Director of Theatre in the School of Theatre, Dance, and Performance Studies at the University of Maryland, College Park, USA. Author affiliation details are correct at time of print publication.

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The Theatre of David Henry Hwang

Bloomsbury Methuen Drama, 2015

Books

...‘Something Beyond and Above’: David Henry Hwang’s Revision of Flower Drum Song Josephine Lee...

Contemporary Collaborators I: Kentridge/Handspring/Taylor

The Methuen Drama Guide to Contemporary South African Theatre

Bloomsbury Methuen Drama, 2015

Books

...Ubu and the Truth Commission; Zeno at 4 am; 2½ or 3: Confessions of Zeno Introduction Modern aesthetic conceptions of collaboration...

Part Four: Introduction

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

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Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

...In between binaries and paradoxes: Stanislavsky in Africa Scholarship about theatre and performance in Africa is often framed in ways that overshadows actor training practices on the African continent. Recurrent themes around which...

Jenny McLeod

Rage and Reason : Women Playwrights on Playwriting

Bloomsbury Methuen Drama, 1997

Books

...Jenny McLeod, as she says herself, simply loves writing, and, fuelled by her passion, she has produced a significant amount of work in different media over the last ten years. She began writing plays in the middle of her A-levels when she...

A Director’s Perspective: Stanislavsky in South Africa

Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

...Postcolonial thinking liberated the periphery from the centre without reducing either to itself, and it has engaged in historical explanation without crude judgement or generalisation, revealing the labour involved in sustaining...

Beginning Again, Again: Gem of the Ocean and Jitney

Alan Nadel

Alan Nadel, William T. Bryan Chair in American Literature and Culture at the University of Kentucky, is the author of Invisible Criticism: Ralph Ellison and the American Canon, and has edited two collections of essays on August Wilson, May All Your Fences Have Gates: Essays on the Drama of August Wilson and August Wilson: Completing the Twentieth-Century Cycle. He has written several other books including Television in Black-and-White America: Race and National Identity. His essays on post-World War II American literature, film, drama, and culture have appeared in numerous journals, and he has won prizes for the best essay in Modern Fiction Studies and in PMLA. Author affiliation details are correct at time of print publication.

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The Theatre of August Wilson

Methuen Drama, 2018

Books

...Jitney Performance history The first publically performed version of Jitney took place at the Allegheny Repertory Theater in Pittsburgh, in October 1982 and in 1985 at the Penumbra Theater in St. Paul, Minnesota. A version rewritten...