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Dr Peter Billingham is Reader in Drama and Performance at the University of Portsmouth. Author affiliation details are correct at time of print publication.

Heidi Stephenson

Natasha Langridge

Dr Trish Reid is Associate Dean (Learning and Teaching) in the Faculty of Arts and Social Sciences at Kingston University, London, UK. She is the author of Theatre & Scotland, editor of Contemporary Scottish Plays (Bloomsbury Methuen Drama, 2015) and has contributed to Decades of Modern British Playwriting the 1990s, edited by Aleks Sierz (Bloomsbury Methuen Drama, 2012). Author affiliation details are correct at time of print publication.

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Kevin J. Wetmore, Jr. is professor of theatre arts at Loyola Marymount University, Los Angeles, USA, the author and editor of ten books including The Empire Triumphant: Race, Religion and Rebellion in the Star Wars Films, and a contributor to numerous volumes on sci-fi, pop culture and religion, including essays on Godzilla, Star Wars, and Battlestar Galactica. His areas of expertise include Japanese theatre, African theatre, Shakespeare, Greek tragedy, stage combat and comedy. He is co-editor with Patrick Lonergan of Bloomsbury Methuen Drama’s Critical Companions series. Author affiliation details are correct at time of print publication.

Dr Trish Reid is Associate Dean (Learning and Teaching) in the Faculty of Arts and Social Sciences at Kingston University, London, UK. She is the author of Theatre & Scotland, editor of Contemporary Scottish Plays (Bloomsbury Methuen Drama, 2015) and has contributed to Decades of Modern British Playwriting the 1990s, edited by Aleks Sierz (Bloomsbury Methuen Drama, 2012). Author affiliation details are correct at time of print publication.

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Kevin J. Wetmore, Jr. is professor of theatre arts at Loyola Marymount University, Los Angeles, USA, the author and editor of ten books including The Empire Triumphant: Race, Religion and Rebellion in the Star Wars Films, and a contributor to numerous volumes on sci-fi, pop culture and religion, including essays on Godzilla, Star Wars, and Battlestar Galactica. His areas of expertise include Japanese theatre, African theatre, Shakespeare, Greek tragedy, stage combat and comedy. He is co-editor with Patrick Lonergan of Bloomsbury Methuen Drama’s Critical Companions series. Author affiliation details are correct at time of print publication.

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

Marissia Fragkou is Senior Lecturer in Performing Arts at Canterbury Christ Church University, UK. Her research focuses on the politics of representation, feminist theatre, affect, ethics, and precarity. She has published on British and European theatre for Palgrave, Bloomsbury Methuen, Performing Ethos, Contemporary Theatre Review and Modern Drama and has co-edited a special issue on contemporary Greek theatre for The Journal of Greek Media and Culture (2017). Author affiliation details are correct at time of print publication.