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Transition: Transformation

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...‘The desire and ability to transform oneself are the very heart of the actor’s nature’ Transformation as a law of composition Chekhov names transformation as his ‘third law of composition’ (TA, 94), in addition to the first two laws we...

The Third of the Four Brothers: Feeling of Beauty

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...‘Let us look at manual labourers. We will see that their movements are often beautiful. When, for instance, the heavy hammer flies up and down again and again, the worker’s mind is occupied exclusively with the task...

Six Directions

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...For more on directions in space, see HA, 22; RS, 172–6. To my knowledge, there is nothing specifically written about them in Chekhov’s core writings that exists in English. ‘When you are bound, you are not free’.With the main...

Qualities of Movement: Moulding, Floating, Flying

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...You can read about these in TA, 8–13; TOA, 43–8; HA, 42–6; MC, 129–33; LP, 96–7, 124, 147; RS, 308–12. ‘How often the actor tries to force his feelings, to order himself to become sorrowful, gay...

Objective Atmosphere

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...You can study more about atmosphere in TA, 47–62, 195–200; TOA, 26–36; LP, 28, 37–8, 51, 56, 97–100; LT, 68–74; AA, 2:3; HA, 81–4; MCT, 3:11; PT, 294, 308–9. In the second part of To the Director and Playwright, Charles Leonard has collated...

Conclusion: Theatre of the Future

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...‘We shall raise ourselves – and with ourselves also the theatre – to a genuine creativity only when, like surgeons, we feel responsible for the life of our play, the life of our theatre’Chekhov refers frequently to ‘the theatre...

Stick, Veil, Ball

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...For more on stick, ball, veil see HA, 60–6; MC, 132; RS, 204–7, 318–19. I was introduced to this work by Sarah Kane.‘You must try to develop a feeling that you are a creative person, that you are capable of creating...

Imaginary Body

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...For more on imaginary body, see TA, 21–34; TOA, 1–14, 95–106; AA, 1:8, 12, 13; PA, 108–10; MCT, 3:10; LP, 45; HA, 163–6; MC, 139–40; RS, 201–3, 208–14.‘Imagination is like a pleasant disease which is contagious – if I really see my...

Introduction: Guiding Principles

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

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Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...‘I think the theatre consists of the actor and that is all. Nobody else is important in the theatre, from my point of view. If the actor is not there, then there is no theatre. All that the director, the author, the designer will do...

Archetypal Gesture

Sinéad Rushe

Sinéad Rushe is a lecturer in Acting and Movement on the BA (Hons) in Acting at Central School of Speech and Drama, London (CSSD) and teaches the Michael Chekhov Technique for acting teachers and for professional actors and directors (through Living Pictures and The Actor's Centre). She studied the Michael Chekhov technique intensively at the Michael Chekhov Studio in New York and London as well as in Paris. A director, performer and acting teacher, one of her recent works, Out of Time, was nominated for a 2010 Olivier Award and 2009 Dance Critic's Circle Award for its London run. Sinéad is the co-translator into French, with Sarah Hirschmuller, of several works by English playwright Howard Barker. Author affiliation details are correct at time of print publication.

Search for publications

Michael Chekhov’s Acting Technique : A Practitioner’s Guide

Methuen Drama, 2019

Books

...For more on gesture, see TA, 63–76, 183–215; TOA, 58–94; LP, 107–12, 133–4; LT, 27–8; PA, 187–8; HA, 48–55, 107–15; MC, 73–7, 140–1; MCT, 2:7; RS, 243–51, 263–81.‘To increase our own life on the stage means to be able to see everywhere –...