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Schlingensief’s Hamlet: Spectres of Fascism and a Theatrical ‘Ghosting’

Anna Teresa Scheer

Anna Teresa Scheer is Senior Lecturer in Drama at the University of Lincoln, UK. She studied theatre in London and worked as a performer and director in the UK and in Germany where she lived until 2007. She is co-editor (with Tara Forrest) of the book Christoph Schlingensief: Art without Borders (2010) and has published several further articles and book chapters on his work. Author affiliation details are correct at time of print publication.

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Christoph Schlingensief : Staging Chaos, Performing Politics and Theatrical Phantasmagoria

Bloomsbury Methuen Drama, 2018

Books

...Thus far, this book has considered Schlingensief’s propensity for engaging with sociopolitical issues and examined how his theatre responds immediately to the questions and political developments of his times. The fluid dramaturgy of his...

‘Most Retrograde to Our Desire’: Translating Recusant Identity in Hamlet

Shakespeare and the Translation of Identity in Early Modern England

Bloomsbury Academic, 2011

Books

...[The Earl of Derby] Desires that the course begun may be continued; good has already been wrought, by the men being for the most part conformable. Secret and church Papists, being men of ability, are the only dangerous people; asks...

Thinking Virtually in a Distracted Globe: Archiving Shakespeare in Asia

Documenting Performance : The Context and Processes of Digital Curation and Archiving

Bloomsbury Academic, 2017

Books

...All quotations from Shakespeare’s Hamlet come from The Arden Shakespeare edition (Third Series): Ann Thompson and Neil Taylor eds (2006), Hamlet, The Arden Edition of the Works of William Shakespeare, London: Bloomsbury...

Hamlet

Paul Menzer

Paul Menzer is Associate Professor and the Director of the Shakespeare and Performance graduate programme at Mary Baldwin College, USA. Author affiliation details are correct at time of print publication.

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Anecdotal Shakespeare : A New Performance History

Bloomsbury Arden Shakespeare, 2015

Books

...When David Tennant played Hamlet at the Royal Shakespeare Company in 2008, there was a brief kerfuffle over the revelation that he’d been using a real skull in the Yorick scene, that of a Polish pianist named Andre Tchaikovsky who...
...This interview took place at the New Fortune Theatre in the University of Western Australia, Perth, on 2 March 2013. Introduction Two Gents Productions...

The State of the Art

Neil Taylor

Neil Taylor is Professor Emeritus at Roehampton University, UK Author affiliation details are correct at time of print publication.

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Hamlet : A Critical Reader

Bloomsbury Arden Shakespeare, 2016

Books

...‘Today, Hamlet studies have, one suspects, reached something of a dead end.’ That was the view of Adrian A. Husain, writing in 2004. ‘The noted Shakespeare scholars’, he continued, listing some illustrious names from the twentieth century...

Kordian to The Constant Prince

Jennifer Kumiega

Jennifer Kumiega studied drama at Manchester University. She embarked on her thesis at Bristol, but much of her research into Grotowski took place in Italy and Poland. She taught herself Polish and worked with the Laboratory Theatre in Poland intermittently between 1975 and 1981. Author affiliation details are correct at time of print publication.

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The Theatre of Grotowski

Methuen, 1985

Books

...The productions documented in this chapter belong to the historical period covered by the preceding chapter, i.e. 1962–1968. They are Kordian, Akropolis, Dr. Faustus, The Hamlet Study and The Constant Prince. With the exception...

Paradocumentation and NT Live’s ‘CumberHamlet’

Documenting Performance : The Context and Processes of Digital Curation and Archiving

Bloomsbury Academic, 2017

Books

...Live broadcasts of theatrical events result in complex documentation processes for performance at the points of production, consumption, interpretation and further production. Following a model created by Met Opera Live in New...

Act 5

Amy Scott-Douglass

Amy Scott-Douglas is an Assistant Professor in the English department at Marymount University, outside of Washington, DC. Her scholarship on Shakespeare has appeared in Shakespeare’s After Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture, Shakespeare the Movie Part II, The Edinburgh Companion to Shakespeare and the Arts, and Cambridge World Shakespeare Encyclopedia. Author affiliation details are correct at time of print publication.

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Shakespeare Inside : The Bard Behind Bars

Bloomsbury Academic, 2007

Books

...A Visit with Warden Larry Chandler One of the most talented actors from amongst Trounstine's alumnae is Rhonda, the woman who played Portia in the 1988 Framingham production of The Merchant of Venice. In her book Shakespeare Behind...

Critical responses and the afterlife of text and film

Samuel Crowl

Samuel Crowl is Trustee Professor of English at Ohio University, USA. He is the author of several books on Shakespeare in performance including Shakespeare Observed, Shakespeare at the Cineplex, The Films of Kenneth Branagh and Shakespeare and Film. He has lectured at colleges and universities in the United States, England, Europe, and Africa and has been five times honored for distinguished teaching. Author affiliation details are correct at time of print publication.

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Screen Adaptations: Shakespeare's Hamlet : The Relationship between Text and Film

Bloomsbury Arden Shakespeare, 2014

Books

...Hamlet's afterlife is inescapable: it has become not only Shakespeare's signature work but also the most read and performed dramatic text in Western culture. Even in our own media-saturated world of mass entertainment Hamlet remains alive...