Loading
Loading

Results

  • Hamlet
  • Books
Sort By:  1-10 of 88 (9 pages)
Results per page:
         

Schlingensief’s Hamlet: Spectres of Fascism and a Theatrical ‘Ghosting’

Anna Teresa Scheer

Anna Teresa Scheer is Senior Lecturer in Drama at the University of Lincoln, UK. She studied theatre in London and worked as a performer and director in the UK and in Germany where she lived until 2007. She is co-editor (with Tara Forrest) of the book Christoph Schlingensief: Art without Borders (2010) and has published several further articles and book chapters on his work. Author affiliation details are correct at time of print publication.

Search for publications

Christoph Schlingensief : Staging Chaos, Performing Politics and Theatrical Phantasmagoria

Bloomsbury Methuen Drama, 2018

Books

...Thus far, this book has considered Schlingensief’s propensity for engaging with sociopolitical issues and examined how his theatre responds immediately to the questions and political developments of his times. The fluid dramaturgy of his...

‘Most Retrograde to Our Desire’: Translating Recusant Identity in Hamlet

Shakespeare and the Translation of Identity in Early Modern England

Bloomsbury Academic, 2011

Books

...[The Earl of Derby] Desires that the course begun may be continued; good has already been wrought, by the men being for the most part conformable. Secret and church Papists, being men of ability, are the only dangerous people; asks...

Thinking Virtually in a Distracted Globe: Archiving Shakespeare in Asia

Documenting Performance : The Context and Processes of Digital Curation and Archiving

Bloomsbury Academic, 2017

Books

...All quotations from Shakespeare’s Hamlet come from The Arden Shakespeare edition (Third Series): Ann Thompson and Neil Taylor eds (2006), Hamlet, The Arden Edition of the Works of William Shakespeare, London: Bloomsbury...

Hamlet

Paul Menzer

Paul Menzer is Associate Professor and the Director of the Shakespeare and Performance graduate programme at Mary Baldwin College, USA. Author affiliation details are correct at time of print publication.

Search for publications

Anecdotal Shakespeare : A New Performance History

Bloomsbury Arden Shakespeare, 2015

Books

...When David Tennant played Hamlet at the Royal Shakespeare Company in 2008, there was a brief kerfuffle over the revelation that he’d been using a real skull in the Yorick scene, that of a Polish pianist named Andre Tchaikovsky who...

Being Affected: An Interview with Ong Keng Sen of TheatreWorks Singapore in Conversation with William Peterson

Theatre and Adaptation: Return, Rewrite, Repeat

Bloomsbury Methuen Drama, 2014

Books

...Introduction Since the late 1990s, the intra-Asian intercultural work of Singaporean director Ong Keng Sen has toured to major festivals around the world, countering the dominance of well-known Western...

New Directions: Being Hamlet Not Being Hamlet

Hamlet : A Critical Reader

Bloomsbury Arden Shakespeare, 2016

Books

...In Greek Theatre the gods believe in humanity. They have to. That is the source of their power. Without our stories of their cruelty, their capriciousness, their infinite ability to deny and defy our attempts to control our destinies, what...

On Literality and Limits: Romeo Castellucci of Socìetas Raffaello Sanzio in Conversation with Nicholas Ridout

Theatre and Adaptation: Return, Rewrite, Repeat

Bloomsbury Methuen Drama, 2014

Books

...This interview was part of the Leverhulme Olympic Talks on Theatre and Adaptation. It took place on 24 April 2012 at Queen Mary, University of London. Introduction I’m sure many of you already know a lot about...

Shakespeare and Dance

David Fuller

David Fuller is Emeritus Professor of English in the University of Durham, UK. Author affiliation details are correct at time of print publication.

Search for publications

Shakespeare’s Creative Legacies : Artists, Writers, Performers, Readers

Bloomsbury Arden Shakespeare, 2016

Books

...Shakespeare without words. Shakespeare in dance involves that paradox: Shakespeare without that by which he is most himself – poetry. It might seem more problematic even than Hamlet without the Prince. But, without words, might we see more...

Mrs Polonius and I

Julia Reinhard Lupton

Julia Reinhard Lupton is Professor of English at the University of California, Irvine, USA. Author affiliation details are correct at time of print publication.

Search for publications

Shakespeare and I

Continuum, 2012

Books

...Thy state is taken for a joint-stool, thy golden sceptre for a leaden dagger, and thy precious rich crown for a pitiful bald crown! (1 Henry IV, 2.5.346–8) The concept of the ceremonial chair seems to be as old as the chair...
...This interview took place at the New Fortune Theatre in the University of Western Australia, Perth, on 2 March 2013. Introduction Two Gents Productions...