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A Narrowing Sphere: Economization and Applied Theatre

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

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...When I began the research on which this book is based, ‘economy’ did not feel like my word, ‘economics’ even less so. I had set out to examine funding and management in applied theatre but quickly found these concepts encroaching into my...

The Economies of Applied Theatre

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...Applied Theatre Consultants Ltd (ATCo) is a limited liability company, owned and run by Company Directors Peter and Briar O’Connor. In 2012, they employed a part-time National Programmes Manager and had a small team on contracts to run...

Applied Theatre and New Cultural Economies

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

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...This chapter focuses on contemporary forms of income generation that are largely new to the literature of applied theatre. These are forms that have emerged or been reframed within what Jen Harvie describes as the neoliberalization of arts...

Tangled Webs: Applied Theatre and the Economy

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...Sometimes it feels like it is all about the money. Finding resources, financial and otherwise, to sustain applied theatre practice is an ongoing challenge. In some contexts there is an historically inadequate infrastructure, in others...

‘Devices of Wonder’: Globalizing Technologies in the Process of Scenography

Scenography Expanded : An Introduction to Contemporary Performance Design

Bloomsbury Methuen Drama, 2016

Books

...In 1967, Guy Debord published The Society of the Spectacle in which he said: ‘The spectacle is the existing order’s uninterrupted discourse about itself, its laudatory monologue. It is the self-portrait of power’ (Debord 1983: I, 24...
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...A comedy-drama about the good-hearted workers at North Shore Fish, a seafood processing plant in Gloucester, Massachusetts. When a government inspector lays down the law, their jobs and lives face irrevocable changes. An L.A. Theatre Works...

Seventh Approach: Tactical & Critical

Alan Read

Alan Read is Professor of Theatre at King's College, London, UK. He was Director of the Council of Europe Workshop on Theatre and Communities, and Rotherhithe Theatre Workshop in the Docklands area of South East London, in the 1980s, worked as a freelance writer in Barcelona and as Director of Talks at the Institute of Contemporary Arts in the 1990s and was the first Professor of Theatre at Roehampton University and then King's College London between 1997 and the present. He is the author of Theatre & Everyday Life: An Ethics of Performance (1993) and Theatre, Intimacy & Engagement: The Last Human Venue (2008). He is the founding consultant editor of Performance Research journal. Author affiliation details are correct at time of print publication.

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Theatre in the Expanded Field: Seven Approaches to Performance

Bloomsbury Methuen Drama, 2013

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...My final approach to performance will take its starting point from Bill Readings’s eloquent work that echoes still in its insights for the university today: ‘We have to recognize that the University is a ruined institution, while thinking...

Sixth Approach: Social & Sensible

Alan Read

Alan Read is Professor of Theatre at King's College, London, UK. He was Director of the Council of Europe Workshop on Theatre and Communities, and Rotherhithe Theatre Workshop in the Docklands area of South East London, in the 1980s, worked as a freelance writer in Barcelona and as Director of Talks at the Institute of Contemporary Arts in the 1990s and was the first Professor of Theatre at Roehampton University and then King's College London between 1997 and the present. He is the author of Theatre & Everyday Life: An Ethics of Performance (1993) and Theatre, Intimacy & Engagement: The Last Human Venue (2008). He is the founding consultant editor of Performance Research journal. Author affiliation details are correct at time of print publication.

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Theatre in the Expanded Field: Seven Approaches to Performance

Bloomsbury Methuen Drama, 2013

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...I have a childhood recollection of a television programme on a small black and white screen in the corner of a suburban room in the early 1960s. A man, the fugitive, was running from bus station into a back alley, evading capture...

Second Approach: Pastoral & Anthropological

Alan Read

Alan Read is Professor of Theatre at King's College, London, UK. He was Director of the Council of Europe Workshop on Theatre and Communities, and Rotherhithe Theatre Workshop in the Docklands area of South East London, in the 1980s, worked as a freelance writer in Barcelona and as Director of Talks at the Institute of Contemporary Arts in the 1990s and was the first Professor of Theatre at Roehampton University and then King's College London between 1997 and the present. He is the author of Theatre & Everyday Life: An Ethics of Performance (1993) and Theatre, Intimacy & Engagement: The Last Human Venue (2008). He is the founding consultant editor of Performance Research journal. Author affiliation details are correct at time of print publication.

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Theatre in the Expanded Field: Seven Approaches to Performance

Bloomsbury Methuen Drama, 2013

Books

...I will begin at the beginning of Western dramatic literature, with Oedipus Rex (429 BCE), in the hills outside Athens, and mark a half-way stage in this chapter with the apotheosis of Western lyric verse, the work of Barry, Robin...

Global Roaming

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Rewriting The Nation

Bloomsbury Methuen Drama, 2011

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...Bush It’s about risk. Rumsfeld That’s what it’s about. In this new world, in this new post-9/11 world.The world of the 2000s was a world of fear. Everywhere, there were reasons to be fearful: millennium bug, Frankenstein foods...