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Robin Nelson is Visiting Professor at the University of London (CSSD) and Emeritus Professor at Manchester Metropolitan University where he was Professor of Theatre and Television Drama until 2010. His other publications include State of Play: contemporary “High-end” TV drama and the co-edited Mapping Intermediality in Performance. Author affiliation details are correct at time of print publication.

Deborah Cartmell is Professor of English, De Montfort University, UK. Her recent publications include Adaptations in the Sound Era: 1927-3, Teaching Adaptations, ed. and A Companion to Literature, Film and Adaptation. She is co-editor and founder of the international journals, Adaptation and Shakespeare and series editor of the Bloomsbury Adaptation Histories. Author affiliation details are correct at time of print publication.

Deborah Cartmell is Professor of English, De Montfort University, UK. Her recent publications include Adaptations in the Sound Era: 1927-3, Teaching Adaptations, ed. and A Companion to Literature, Film and Adaptation. She is co-editor and founder of the international journals, Adaptation and Shakespeare and series editor of the Bloomsbury Adaptation Histories. Author affiliation details are correct at time of print publication.

Donna Soto-Morettini has served as Director of Drama for the Royal Conservatoire of Scotland, Head of Acting and Dance for Liverpool Institute for Performing Arts, and Head of Acting at the Royal Central School of Speech and Drama, London. She has worked extensively in television and is currently a casting director for ITV’s The Voice. Three of Donna’s books, Mastering the Audition: How to Perform Under Pressure (2012) and Popular Singing and Style (2014) and Mastering the Shakespeare Audition (2016) are published by Bloomsbury Methuen Drama, while The Philosophical Actor (2010) is published by Intellect. Author affiliation details are correct at time of print publication.

Donna Soto-Morettini has served as Director of Drama for the Royal Conservatoire of Scotland, Head of Acting and Dance for Liverpool Institute for Performing Arts, and Head of Acting at the Royal Central School of Speech and Drama, London. She has worked extensively in television and is currently a casting director for ITV’s The Voice. Three of Donna’s books, Mastering the Audition: How to Perform Under Pressure (2012) and Popular Singing and Style (2014) and Mastering the Shakespeare Audition (2016) are published by Bloomsbury Methuen Drama, while The Philosophical Actor (2010) is published by Intellect. Author affiliation details are correct at time of print publication.