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Andrew Tidmarsh is theatre and film director, writer and teacher. He has taught this practical approach to genre to writers, directors and actors at RADA, Goldsmiths, and Drama Centre at undergraduate and postgraduate level. He has directed in UK, Germany, Canada and Philippines, and is the director of an annual new writing festival at the Soho Theatre in London. He regularly teaches in Canada and Dubai. His book An Attitude for Acting will be published by Nick Hern books in 2011. Andrew Tidmarsh is a theatre director, film-maker and teacher. He has taught at leading drama schools and currently runs the Foundation course at RADA. He has directed work at Soho Theatre, Wimbledon Studio, Shakespeare's Globe and Jermyn Street Theatre. Author affiliation details are correct at time of print publication.

Jaq Bessell is the Director of Postgraduate Studies and Programme Leader for MA/MFA Acting at the Guildford School of Acting, University of Surrey, UK. After gaining her PhD, she spent the six years working in the professional theatre, first at the Guthrie Theater in Minneapolis and later as Head of Research at Shakespeare's Globe in London. Later, she taught acting at the Actor Training Program at the University of Utah in Salt Lake City before joining the faculty in the M.Litt/M.F.A. programme in Shakespeare and Renaissance Literature in Performance at Mary Baldwin College in partnership with the American Shakespeare Center. She then became a lecturer and fellow at the Shakespeare Institute in Stratford-upon-Avon. Her work with actors is the source, form, and outlet for her ongoing research in Early Modern drama, particularly the plays of Shakespeare. Author affiliation details are correct at time of print publication.

Christopher R.Wilson is Professor in the Department of Music at the University of Hull, UK. He has published on English music/words topics from the late medieval period to the 20th century. Author affiliation details are correct at time of print publication.

Yvonne Griggs is Lecturer in Media and Communications at the University of New England, Australia. Her research interests include adaptation studies, screenwriting, Shakespeare on screen and neo-Victorian metafiction. She is the author of the book Screen Adaptations: Shakespeare’s King Lear (Methuen Drama, 2009). Author affiliation details are correct at time of print publication.

Amy Scott-Douglas is an Assistant Professor in the English department at Marymount University, outside of Washington, DC. Her scholarship on Shakespeare has appeared in Shakespeare’s After Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture, Shakespeare the Movie Part II, The Edinburgh Companion to Shakespeare and the Arts, and Cambridge World Shakespeare Encyclopedia. Author affiliation details are correct at time of print publication.

Charles Altieri

Eric S. Mallin is Associate Professor of English at the University of Texas at Austin, USA. He is the author of Inscribing the Time: Shakespeare and the End of Elizabethan England (Berkeley: U of California P, 1995) Author affiliation details are correct at time of print publication.

Courtney Lehmann is the Tully Knoles Professor of the Humanities and Professor of English and Film Studies and the Director of the Humanities Scholars Program at University of the Pacific in Stockton, California. Notable works include: Shakespeare Remains: Theater to Film, Early Modern to Postmodern (2002); Spectacular Shakespeare: Critical Theory and Popular Cinema (2002); The Reel Shakespeare: Alternative Cinema and Theory (2002); Screen Adaptations: Shakespeare's Romeo and Juliet (2010); Great Shakespeareans, Volume XVII (2013) and a new edition of King John and Henry VIII (2015). Author affiliation details are correct at time of print publication.

Paul Edmondson is Head of Research and Knowledge for The Shakespeare Birthplace Trust and a priest in The Church of England. Author affiliation details are correct at time of print publication.

Peter Holbrook is Professor of Shakespeare and English Renaissance Literature at the University of Queensland, Australia, and Director of the UQ Node of the ARC Centre of Excellence for the History of Emotions (Europe 1100-1800). He is the author of Shakespeare’s Individualism (2010) and Literature and Degree in Renaissance England: Nashe, Bourgeois Tragedy Shakespeare (1994), and co-editor, with David Bevington, of The Politics of the Stuart Court Masque (1998). Author affiliation details are correct at time of print publication.