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Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Robert Knopf teaches script analysis, directing, and improvisation at University at Buffalo/SUNY, USA where he is Director of Theatre Studies and Professor of Theatre. A theater director, scholar, and writer, Robert Knopf is the author of two books, The Theater and Cinema of Buster Keaton and The Director as Collaborator. He edited Theater and Film and co-edited the seminal two-volume critical anthology, Theater of the Avant-Garde. He has directed plays at Circle-in-the-Square Downtown, Cherry Lane Studio, Paradise Factory, Circle Rep Lab, and New York’s historic Town Hall, as well as for National Public Radio. Author affiliation details are correct at time of print publication.

Robert Knopf teaches script analysis, directing, and improvisation at University at Buffalo/SUNY, USA where he is Director of Theatre Studies and Professor of Theatre. A theater director, scholar, and writer, Robert Knopf is the author of two books, The Theater and Cinema of Buster Keaton and The Director as Collaborator. He edited Theater and Film and co-edited the seminal two-volume critical anthology, Theater of the Avant-Garde. He has directed plays at Circle-in-the-Square Downtown, Cherry Lane Studio, Paradise Factory, Circle Rep Lab, and New York’s historic Town Hall, as well as for National Public Radio. Author affiliation details are correct at time of print publication.

Robert Knopf teaches script analysis, directing, and improvisation at University at Buffalo/SUNY, USA where he is Director of Theatre Studies and Professor of Theatre. A theater director, scholar, and writer, Robert Knopf is the author of two books, The Theater and Cinema of Buster Keaton and The Director as Collaborator. He edited Theater and Film and co-edited the seminal two-volume critical anthology, Theater of the Avant-Garde. He has directed plays at Circle-in-the-Square Downtown, Cherry Lane Studio, Paradise Factory, Circle Rep Lab, and New York’s historic Town Hall, as well as for National Public Radio. Author affiliation details are correct at time of print publication.

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Robert Knopf teaches script analysis, directing, and improvisation at University at Buffalo/SUNY, USA where he is Director of Theatre Studies and Professor of Theatre. A theater director, scholar, and writer, Robert Knopf is the author of two books, The Theater and Cinema of Buster Keaton and The Director as Collaborator. He edited Theater and Film and co-edited the seminal two-volume critical anthology, Theater of the Avant-Garde. He has directed plays at Circle-in-the-Square Downtown, Cherry Lane Studio, Paradise Factory, Circle Rep Lab, and New York’s historic Town Hall, as well as for National Public Radio. Author affiliation details are correct at time of print publication.

Robert Knopf teaches script analysis, directing, and improvisation at University at Buffalo/SUNY, USA where he is Director of Theatre Studies and Professor of Theatre. A theater director, scholar, and writer, Robert Knopf is the author of two books, The Theater and Cinema of Buster Keaton and The Director as Collaborator. He edited Theater and Film and co-edited the seminal two-volume critical anthology, Theater of the Avant-Garde. He has directed plays at Circle-in-the-Square Downtown, Cherry Lane Studio, Paradise Factory, Circle Rep Lab, and New York’s historic Town Hall, as well as for National Public Radio. Author affiliation details are correct at time of print publication.

Chris Head has established himself as one of the UK's leading comedy coaches and has twenty years' experience as a director of live shows. As director he has worked on shows at all the major venues of the Edinburgh Fringe, across London including Soho and Bloomsbury Theatres, on national UK tours and internationally at the likes of Melbourne and Adelaide Comedy Festivals, and LA Shorts Comedy Film Festival. Author affiliation details are correct at time of print publication.