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  • Directing and dramaturgy
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Methods: Product-Led Production Dramaturgy

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...My dramaturgy was also a method to find something I wasn’t looking for. Barba, Eugenio (2010), On Directing and Dramaturgy. Burning the House. Routledge, Abingdon, p. 205. Barba, Eugenio (2010), On Directing...

Methods: Process-Led Production Dramaturgy

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...In the previous chapter, I looked at product-led, interpretative production dramaturgical practices. Here I am going to examine process-led production dramaturgical practices, where, as theorists Cathy Turner and Synne Behrndt note, ‘the...

Dance Poetics: The History of Dramaturgical Thinking in Dance

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...Architecture and dance are usually regarded as the most ancient of all the arts. Yet, throughout the history of art, dance has held the lowest rank. It has often been regarded as a merely decorative entertainment. It was not considered...

Methods: Dance Dramaturgs at Work

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...In their article ‘Dramaturgy on Shifting Grounds’, theorists Hans-Thies Lehmann and Patrick Primavesi observed:In postdramatic theatre, performance art and dance, the traditional hierarchy of theatrical elements has almost vanished...

Dramaturgy in ‘Postdramatic’ Times

New Dramaturgy : International Perspectives on Theory and Practice

Bloomsbury Publishing Plc, 2014

Books

...Translation by Ada Denise Bautista, Andrea Pelegri Kristić and Carole-Anne Upton A change is taking place – a radical transformation of the theatre and our relationship with the stage; a phenomenon at least as important as the rise...

Catherine Poher

The Art of Rehearsal : Conversations with Contemporary Theatre Makers

Bloomsbury Methuen Drama, 2017

Books

...Why How did you get into theatre? It must have been when I was very young. I think I was fourteen years old, when I went to see Ariane Mnouchkine in Paris. I don’t remember the name...

Dialectical Theatre and Devising

New Dramaturgy : International Perspectives on Theory and Practice

Bloomsbury Publishing Plc, 2014

Books

...Introduction This chapter researches the development of devised theatre through an active dialogue with the audience. In 2010, LAB Theatre from Auckland, New Zealand, engaged in a process of including the public's response...

Porous Dramaturgy and the Pedestrian

New Dramaturgy : International Perspectives on Theory and Practice

Bloomsbury Publishing Plc, 2014

Books

...In the early decades of the twenty-first century, there seems to be little decline in the recent enthusiasm for performance that takes place outside a theatre or gallery. Taking place in ‘found’ spaces, built installations or on the street,...

Law and the Theatre

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...THE MAKE-BELIEVE world of theatre does not escape from the law of the land and amateurs are no exception. The following chapter includes some of the legislation that affects your production, but is by no means exhaustive, so be careful...

Superstitions

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...THEATRE IS AN uncertain business, and unlike cinema, there are no retakes when lines are fluffed, or a handle comes off in your hand – what happens, happens. Every performance, professional or amateur, is an adventure. It is hardly...