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Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

Jackie Smart

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

Kent Thompson has been Producing Artistic Director of the Theatre Company at the Denver Center for the Performing Arts (DCPA), USA, since 2005. For 16 years, Thompson served as Producing Artistic Director of the Alabama Shakespeare Festival (ASF). In addition to an active career as a freelance director, he has directed and/or taught in major conservatory programs, including The Juilliard School, North Carolina School of the Arts, Washington University, Boston University, Temple University, DePaul Theatre School, among others. In addition, he has led two major Master of Fine Arts Programs in Professional Theatre: the University of Alabama/ASF program and the National Theatre Conservatory at the Denver Center. Thompson served for eight years on the Board of Directors for Theatre Communications Group and as its president for three years. Author affiliation details are correct at time of print publication.

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.