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  • Directing and dramaturgy
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Methods: Product-Led Production Dramaturgy

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...My dramaturgy was also a method to find something I wasn’t looking for. Barba, Eugenio (2010), On Directing and Dramaturgy. Burning the House. Routledge, Abingdon, p. 205. Barba, Eugenio (2010), On Directing...

Methods: Process-Led Production Dramaturgy

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...In the previous chapter, I looked at product-led, interpretative production dramaturgical practices. Here I am going to examine process-led production dramaturgical practices, where, as theorists Cathy Turner and Synne Behrndt note, ‘the...

Dressing the Part

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...THE CLOTHES THAT we wear in everyday life express our personalities and the same is true of actors. First impressions are particularly important in the theatre and costume offers the audience a short-cut to the heart of the character...

Looking the Part

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...GOOD MAKE-UP is invisible. The magic of theatre is to create an illusion of reality and make-up should be used to serve that purpose. Once you become aware of it, the spell is broken. Make-up is a complex art and there are many good books...

Publicity Matters

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...THEATRE NEEDS AN audience. There is no point in working for weeks on end to produce a show that only a handful of people come to see. The audience will not arrive by magic; they must be given accurate advance information, interested in what...

Notes

Edward Braun

Edward Braun is Emeritus Professor of Drama at the University of Bristol. He edited the pioneering English-language selection from Meyerhold’s writings, Meyerhold on Theatre, in 1969, and in 1979 published his major critical assessment, The Theatre of Meyerhold. His The Director ’ the Stage was first published in 1982. Author affiliation details are correct at time of print publication.

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The Director and the Stage : From Naturalism to Grotowski

Bloomsbury Methuen Drama, 1982

Books

Law and the Theatre

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...THE MAKE-BELIEVE world of theatre does not escape from the law of the land and amateurs are no exception. The following chapter includes some of the legislation that affects your production, but is by no means exhaustive, so be careful...

Superstitions

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...THEATRE IS AN uncertain business, and unlike cinema, there are no retakes when lines are fluffed, or a handle comes off in your hand – what happens, happens. Every performance, professional or amateur, is an adventure. It is hardly...

Methods: New Drama Development

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...Work on a good piece of writing proceeds on three levels: a musical one, where it is composed, an architectural one, where it is constructed, and finally a textile one, where it is woven...

Introduction

Edward Braun

Edward Braun is Emeritus Professor of Drama at the University of Bristol. He edited the pioneering English-language selection from Meyerhold’s writings, Meyerhold on Theatre, in 1969, and in 1979 published his major critical assessment, The Theatre of Meyerhold. His The Director ’ the Stage was first published in 1982. Author affiliation details are correct at time of print publication.

Search for publications

The Director and the Stage : From Naturalism to Grotowski

Bloomsbury Methuen Drama, 1982

Books

...Ever since Aeschylus supervised the presentation of his tragedies at the Athenian festivals of the fifth century BC it is safe to assume that someone has had overall responsibility for the rehearsal of any play that has reached the stage...