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  • Directing and dramaturgy
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Methods: Product-Led Production Dramaturgy

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...My dramaturgy was also a method to find something I wasn’t looking for. Barba, Eugenio (2010), On Directing and Dramaturgy. Burning the House. Routledge, Abingdon, p. 205. Barba, Eugenio (2010), On Directing...

Methods: Process-Led Production Dramaturgy

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...In the previous chapter, I looked at product-led, interpretative production dramaturgical practices. Here I am going to examine process-led production dramaturgical practices, where, as theorists Cathy Turner and Synne Behrndt note, ‘the...

Dance Poetics: The History of Dramaturgical Thinking in Dance

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...Architecture and dance are usually regarded as the most ancient of all the arts. Yet, throughout the history of art, dance has held the lowest rank. It has often been regarded as a merely decorative entertainment. It was not considered...

Methods: Dance Dramaturgs at Work

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...In their article ‘Dramaturgy on Shifting Grounds’, theorists Hans-Thies Lehmann and Patrick Primavesi observed:In postdramatic theatre, performance art and dance, the traditional hierarchy of theatrical elements has almost vanished...

Kirsten Dehlholm

The Art of Rehearsal : Conversations with Contemporary Theatre Makers

Bloomsbury Methuen Drama, 2017

Books

...Why Why did you choose to make theatre? I’ve worked with materials always, ever since I was a child. Working with giving form to materials, with structure and the sensual. And at some point...

The Feeling of Devising

New Dramaturgy : International Perspectives on Theory and Practice

Bloomsbury Publishing Plc, 2014

Books

...Introduction In Devising in Process, Alex Mermikides and I proposed a tentative definition of devising ‘centring on a certain playful openness: to a range of stimuli; to creative risk and experimentation; to the views and input...

Dressing the Part

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...THE CLOTHES THAT we wear in everyday life express our personalities and the same is true of actors. First impressions are particularly important in the theatre and costume offers the audience a short-cut to the heart of the character...

Preparing to Lead

Kent Thompson

Kent Thompson has been Producing Artistic Director of the Theatre Company at the Denver Center for the Performing Arts (DCPA), USA, since 2005. For 16 years, Thompson served as Producing Artistic Director of the Alabama Shakespeare Festival (ASF). In addition to an active career as a freelance director, he has directed and/or taught in major conservatory programs, including The Juilliard School, North Carolina School of the Arts, Washington University, Boston University, Temple University, DePaul Theatre School, among others. In addition, he has led two major Master of Fine Arts Programs in Professional Theatre: the University of Alabama/ASF program and the National Theatre Conservatory at the Denver Center. Thompson served for eight years on the Board of Directors for Theatre Communications Group and as its president for three years. Author affiliation details are correct at time of print publication.

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Directing Professionally : A Practical Guide to Developing a Successful Career in Today’s Theatre

Methuen Drama, 2019

Books

...Congratulations again on your appointment as artistic director! You’ve achieved a major career goal and now you have an important and significant chance to lead the theatre to new heights of artistic achievement and organizational success...

Looking the Part

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...GOOD MAKE-UP is invisible. The magic of theatre is to create an illusion of reality and make-up should be used to serve that purpose. Once you become aware of it, the spell is broken. Make-up is a complex art and there are many good books...

Publicity Matters

Helen E. Sharman

Helen Sharman has extensive experience of amateur theatre both on and off the stage. She has been Artistic Director of Young Theatre, Beaconsfield, Chairman of Beaconsfield Theatre Group and is an associate member of the Guild of Drama Adjudicators. Author affiliation details are correct at time of print publication.

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Directing Amateur Theatre : Women Directors on Directing by Helen Manfull

A & C Black, 2004

Books

...THEATRE NEEDS AN audience. There is no point in working for weeks on end to produce a show that only a handful of people come to see. The audience will not arrive by magic; they must be given accurate advance information, interested in what...