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Methods: Dance Dramaturgs at Work

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...In their article ‘Dramaturgy on Shifting Grounds’, theorists Hans-Thies Lehmann and Patrick Primavesi observed:In postdramatic theatre, performance art and dance, the traditional hierarchy of theatrical elements has almost vanished...

Dance Dramaturgy: The Development of The Role

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...The evolution of the role Having examined the history of dramaturgical thinking in the previous chapter, here I am going to focus...

Dance Poetics: The History of Dramaturgical Thinking in Dance

Katalin Trencsényi

Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs’ Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs’ Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015. Author affiliation details are correct at time of print publication.

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Dramaturgy in the Making : A User’s Guide for Theatre Practitioners

Bloomsbury Methuen Drama, 2015

Books

...Architecture and dance are usually regarded as the most ancient of all the arts. Yet, throughout the history of art, dance has held the lowest rank. It has often been regarded as a merely decorative entertainment. It was not considered...

Baroque Around the Clock

Darren Royston

Darren Royston is a Dance and Movement Tutor and Choreographer at RADA, and the Artistic Director and Choreographer for Nonsuch History and Dance. He is council member of many professional organisations including The Laban Guild for Movement and Dance, The European Association of Dance Historians, DANCE UK Choreographers' Forum and the Early Dance Circle (UK) and a member of UNESCO International Council for Dance. Author affiliation details are correct at time of print publication.

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Dramatic Dance : An Actor’s Approach to Dance as a Dramatic Art

Bloomsbury Methuen Drama, 2014

Books

...The lines which a number of people together form in country or figure dancing, make a delightful play upon the eye, especially when the whole figure is to be seen at one view, as at the playhouse from the gallery; the beauty of this kind...

Re-Membering Zero Degrees

New Dramaturgy : International Perspectives on Theory and Practice

Bloomsbury Publishing Plc, 2014

Books

...Introduction The title of this essay is a reference and pays tribute to the book ReMembering the Body (edited by Gabriella Brandstetter and Hortensia Volckers), that accompanied the exhibition STRESS at the MAK in Vienna in 2000...

Medieval Realms

Darren Royston

Darren Royston is a Dance and Movement Tutor and Choreographer at RADA, and the Artistic Director and Choreographer for Nonsuch History and Dance. He is council member of many professional organisations including The Laban Guild for Movement and Dance, The European Association of Dance Historians, DANCE UK Choreographers' Forum and the Early Dance Circle (UK) and a member of UNESCO International Council for Dance. Author affiliation details are correct at time of print publication.

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Dramatic Dance : An Actor’s Approach to Dance as a Dramatic Art

Bloomsbury Methuen Drama, 2014

Books

...Within the Time Frame Middle Ages in Europe from the collapse of the Roman Empire through to the fifteenth century. Feudal systems of hierarchy of power: designated rulers and followers...

Memory and Dance: ‘Bodies of Knowledge’ in Contemporary Dance

Performing the Remembered Present : The Cognition of Memory in Dance, Theatre and Music

Bloomsbury Methuen Drama, 2017

Books

...The author’s research described here has been supported by the Australian Research Council Discovery Project, Linkage Project and Linkage Infrastructure, Equipment and Facilities grant schemes: DP0986394, LE0668448, LP0562687, LP130100670...

Resource-based teaching/learning – dance composition

Jacqueline Smith-Autard

Jacqueline Smith-Autard is acknowledged as a world-leading exponent in dance education. She has taught dance in schools and universities and was Chief Examiner for the dance GCSE for 10 years. She was a founder member of the NDTA, is a trainer of teachers in dance education and a pioneer in the use of technology to extend and enhance dance pedagogy. Author affiliation details are correct at time of print publication.

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Dance Composition

Bloomsbury Methuen Drama, 2010

Books

...Resource-based teaching/learning This section aims to demonstrate how important it is to use professional dance works as examples in teaching dance composition. In all other arts, students enhance their learning by study...

Methods of construction 1

Jacqueline Smith-Autard

Jacqueline Smith-Autard is acknowledged as a world-leading exponent in dance education. She has taught dance in schools and universities and was Chief Examiner for the dance GCSE for 10 years. She was a founder member of the NDTA, is a trainer of teachers in dance education and a pioneer in the use of technology to extend and enhance dance pedagogy. Author affiliation details are correct at time of print publication.

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Dance Composition

Bloomsbury Methuen Drama, 2010

Books

...Stimuli for dance A stimulus can be defined as something that rouses the mind, or spirits, or incites activity. Stimuli for dance compositions can be auditory, visual, ideational, tactile or kinesthetic. Auditory...

Methods of construction 8

Jacqueline Smith-Autard

Jacqueline Smith-Autard is acknowledged as a world-leading exponent in dance education. She has taught dance in schools and universities and was Chief Examiner for the dance GCSE for 10 years. She was a founder member of the NDTA, is a trainer of teachers in dance education and a pioneer in the use of technology to extend and enhance dance pedagogy. Author affiliation details are correct at time of print publication.

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Dance Composition

Bloomsbury Methuen Drama, 2010

Books

...The purpose of this chapter is not to expose the theories or histories behind the various forms of new or post-modern dance. Rather, it concentrates on three defining and distinctive characteristics distilled from the study of a range...