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Fourth Approach: Digital & Technological

Alan Read

Alan Read is Professor of Theatre at King's College, London, UK. He was Director of the Council of Europe Workshop on Theatre and Communities, and Rotherhithe Theatre Workshop in the Docklands area of South East London, in the 1980s, worked as a freelance writer in Barcelona and as Director of Talks at the Institute of Contemporary Arts in the 1990s and was the first Professor of Theatre at Roehampton University and then King's College London between 1997 and the present. He is the author of Theatre & Everyday Life: An Ethics of Performance (1993) and Theatre, Intimacy & Engagement: The Last Human Venue (2008). He is the founding consultant editor of Performance Research journal. Author affiliation details are correct at time of print publication.

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Theatre in the Expanded Field: Seven Approaches to Performance

Bloomsbury Methuen Drama, 2013

Books

...When Denis Diderot, the founder and editor of the Encyclopédie, was growing up in Langres, in the early 1700s, on a limestone promontory in North-East France, at odds with his cutler family and his local Jesuit College, he would have been...

The Persistence of the Flesh in Deaths Duell

Shakespeare Up Close : Reading Early Modern Texts

Bloomsbury Methuen Drama, 2012

Books

...Donne, Deaths Duell , 10. Further citations appear parenthetically in the text.But for us that dye now and sleepe in the state of the dead, we must al passe this posthume death, this death after death, nay this death after...

Mille viae mortis

Shakespeare Up Close : Reading Early Modern Texts

Bloomsbury Methuen Drama, 2012

Books

...‘Mille viae mortis’ is the title of what is said to be Charles Lamb’s earliest poem. Patricia Tatspaugh and her excellent New Cambridge Shakespeare edition (co-edited with Robert Kean Turner), quoted here, were great helps in writing...

Donne the Time Traveller: Reading ‘The Relic’

Shakespeare Up Close : Reading Early Modern Texts

Bloomsbury Methuen Drama, 2012

Books

...Donne, Works , 130.51015202530Celebrated for much of the twentieth century by the same readers who puzzled over its ending, ‘The Relic’ belongs in the group of Donne’s lyric poems distinguished by their passionate devotion...

New Directions: Fatal Attraction: Desire, Anatomy and Death in ‘Tis Pity She’s a Whore

’Tis Pity She’s A Whore : A Critical Guide

Bloomsbury Arden Shakespeare, 2010

Books

...In A Lover’s Discourse Roland Barthes offers a series of lyrical meditations which identify the dominant tropes that articulate desire. With acute economy of language, Barthes draws his reader through a series of fragments with claims...

A Survey of Resources

’Tis Pity She’s A Whore : A Critical Guide

Bloomsbury Arden Shakespeare, 2010

Books

...In what follows, I hope to present a useful compendium of resources for students and researchers of John Ford and ’Tis Pity, and for professors and lecturers teaching the play. I have organized this chapter into syllabi (both undergraduate...

New Directions: The Deconstructing ’Tis Pity?: Derrida, Barthes and Ford

Mark Houlahan

Mark Houhlahan is Senior Lecturer in the English Programme in the School of Arts at the University of Waikato, New Zealand. Author affiliation details are correct at time of print publication.

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’Tis Pity She’s A Whore : A Critical Guide

Bloomsbury Arden Shakespeare, 2010

Books

...At the famous climax of ’Tis Pity, Giovanni enters the last scene of the play and, as he knows, his life, ‘with a heart upon his dagger’, with which be-hearted implement he stabs his enemy and brother-in-law Soranzo, before himself being...

The State of the Art

Sandra Clark

Sandra Clark is Professor Emerita of Renaissance Literature, Birkbeck, University of London, UK Author affiliation details are correct at time of print publication.

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’Tis Pity She’s A Whore : A Critical Guide

Bloomsbury Arden Shakespeare, 2010

Books

...A twenty-first century assessment of Ford by Mario DiGangi notes that ‘Ford scholarship has not kept place with the upsurge in Renaissance dramatic scholarship since the 1980s...

New Directions: The Confessional Identities of ‘Tis Pity She’s a Whore

’Tis Pity She’s A Whore : A Critical Guide

Bloomsbury Arden Shakespeare, 2010

Books

...John Ford ,’Tis Pity She’s a Whore , ed. Martin Wiggins ( London : A&C Black, 2003), I.i.13–17. All further...

New Directions: ’Tis Pity She’s a Whore and the Space of the Stage

Lisa Hopkins

Lisa Hopkins is Professor of English at University of Sheffield Hallam. She has published numerous works on Shakespeare including her most recent work, Beginning Shakespeare (2005) and has written on film adaptations including Screening the Gothic. She is the Senior Editor of the online journal, Early Modern Literary Studies. Author affiliation details are correct at time of print publication.

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’Tis Pity She’s A Whore : A Critical Guide

Bloomsbury Arden Shakespeare, 2010

Books

...The English Renaissance stage was a location characterized above all by the fluidity with which it could be used. As Sir Philip Sidney tartly observed in An Apology for Poetry,Now ye shall have three ladies walk to gather flowers...