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Afterword

Peter O’Connor

Dr. Peter O’Connor is Associate Professor and the Director of the Critical Research Unit in Applied Theatre at the University of Auckland, New Zealand. His research interests centre on the application of drama pedagogy within wider social justice or public education actions. His most recent work includes the development of the Teaspoon of Light Theatre Company as a response to the trauma of over 3000 earthquakes in Christchurch. Author affiliation details are correct at time of print publication.

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Michael Anderson

Michael Anderson is Professor of Education at the University of Sydney, Australia. His previous books include: Partnerships in Education Research: Creating Knowledge that Matters (Bloomsbury, 2014), and MasterClass in Drama Education: Transforming Teaching and Learning (Bloomsbury, 2012), and Drama education with digital technology, co-edited with J. Carroll and D. Cameron (Continuum, 2009) Author affiliation details are correct at time of print publication.

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Applied Theatre: Research : Radical Departures

Bloomsbury Methuen Drama, 2015

Books

...The series of cases provided in this book point to a new way of considering and realizing research. In considering what they might have to offer, we argue that they separately and collectively describe a radical departure from the notion...

A Narrowing Sphere: Economization and Applied Theatre

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...When I began the research on which this book is based, ‘economy’ did not feel like my word, ‘economics’ even less so. I had set out to examine funding and management in applied theatre but quickly found these concepts encroaching into my...

The ROOTS of US Applied Theatre Economies

Applied Theatre: Economies

Methuen Drama, 2018

Books

...An economy familiar to US applied theatre artists has been adopted more broadly in recent years. In a growing trend, increasing numbers of US artists are migrating into the non-traditional spaces, adopting the dialogical practices...
...Attempting to establish your own theatre company – as I did in 1988 – is always an act of faith rather than one based on cogent business planning. Those of us inspired to work in theatre do so primarily from creative motivations...

Afterword

Molly Mullen

Molly Mullen is a Senior Lecturer in Applied Theatre at the University of Auckland’s Faculty of Education and Social Work. She has produced theatre education, youth theatre and community arts projects in the UK and New Zealand. Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...As explained in the introduction, this book began its journey as a research project involving three theatre companies. My engagement with the people and practices of these companies informed, shaped and challenged my thinking about applied...
...There is more heart than there is cash for this work. Fighting for freedom has always been, and remains, unpaid work, regardless of what any capitalist system might tell us. Once we connect with that spirit, we will soon realize that we...

The Economies of Applied Theatre

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...Applied Theatre Consultants Ltd (ATCo) is a limited liability company, owned and run by Company Directors Peter and Briar O’Connor. In 2012, they employed a part-time National Programmes Manager and had a small team on contracts to run...

Applied Theatre and New Cultural Economies

Michael Balfour

Michael Balfour

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Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Economies

Methuen Drama, 2018

Books

...This chapter focuses on contemporary forms of income generation that are largely new to the literature of applied theatre. These are forms that have emerged or been reframed within what Jen Harvie describes as the neoliberalization of arts...

More than a Sum of Parts? Responsivity and Respond-ability in Applied Theatre Practitioner Expertise

Applied Theatre: Facilitation : Pedagogies, Practices, Resilience

Bloomsbury Methuen Drama, 2016

Books

...The qualities demanded of a facilitator in Applied Theatre are notoriously difficult to describe and can appear daunting to a novice practitioner. This chapter will introduce a concept of responsivity as a way to reveal the more enigmatic...

Afterword

Sheila Preston

,

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Michael Balfour

Michael Balfour

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and

Sheila Preston

Sheila Preston is Head of Performing Arts at the University of East London, UK. Previously she was a senior lecturer in Applied Theatre at the Central School of Speech and Drama, University of London. She co-edited with Tim Prentki The Applied Theatre Reader (Routledge, 2009). Author affiliation details are correct at time of print publication.

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Applied Theatre: Facilitation : Pedagogies, Practices, Resilience

Bloomsbury Methuen Drama, 2016

Books

...At the heart of this book sits the need to explore the possibilities and confront the problematics of facilitation practices. This afterword offers closing thoughts on the challenges of facilitation around the themes of pedagogies...