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Dorita Hannah

Andrew Tidmarsh is theatre and film director, writer and teacher. He has taught this practical approach to genre to writers, directors and actors at RADA, Goldsmiths, and Drama Centre at undergraduate and postgraduate level. He has directed in UK, Germany, Canada and Philippines, and is the director of an annual new writing festival at the Soho Theatre in London. He regularly teaches in Canada and Dubai. His book An Attitude for Acting will be published by Nick Hern books in 2011. Andrew Tidmarsh is a theatre director, film-maker and teacher. He has taught at leading drama schools and currently runs the Foundation course at RADA. He has directed work at Soho Theatre, Wimbledon Studio, Shakespeare's Globe and Jermyn Street Theatre. Author affiliation details are correct at time of print publication.

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

Neil Corcoran is Emeritus Professor of English Literature at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

Susan Bennett is University Professor in the Department of English at the University of Calgary, Canada. Her books include Theatre Audiences (1997), Performing Nostalgia (1996) and Theatre & Museums (2013). Recent edited collections are Shakespeare Beyond English (co-edited with Christie Carson, 2013) and Performing Environments: Site-Specificity in Medieval & Early Modern Drama (co-edited with Mary Polito, 2014). She is series editor, with Kim Solga, for Theory for Theatre Studies (Bloomsbury Methuen Drama). Author affiliation details are correct at time of print publication.

Sonia Massai is Professor of Shakespeare Studies in the English Department at King’s College London, UK. Her publications include her book, Shakespeare and the Rise of the Editor (2007), and World-Wide Shakespeares: Local Appropriations in Film and Performance (2005), and critical editions of The Paratexts in English Printed Drama to 1642 ( 2014) and John Ford’s Tis Pity She’s a Whore for Arden Early Modern Drama (2011). Author affiliation details are correct at time of print publication.