Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.
The Story of Drama: Tragedy, Comedy and Sacrifice from the Greeks to the Present
Bloomsbury Methuen Drama, 2016
...One of the problems in discussing Roman drama is that so little of it survives. We have the tragedies of Seneca (4 BCE–65 CE) and the comedies of Plautus (c. 254–c. 184 BCE) and Terence (c. 186–159 BCE) but that’s all. Of the other...
Reading Shakespeare’s Soliloquies: Text, Theatre, Film
Bloomsbury Arden Shakespeare, 2018
...i. MedievalThe very structure of the Elizabethan playhouse was adapted from the religious staging of medieval mystery plays. The roof above the performers was known as ‘the heavens’ and the area under the stage, at least in a stage...
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