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  • Ancient Greek drama
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Will Versus Fate

Andrew Tidmarsh

Andrew Tidmarsh is theatre and film director, writer and teacher. He has taught this practical approach to genre to writers, directors and actors at RADA, Goldsmiths, and Drama Centre at undergraduate and postgraduate level. He has directed in UK, Germany, Canada and Philippines, and is the director of an annual new writing festival at the Soho Theatre in London. He regularly teaches in Canada and Dubai. His book An Attitude for Acting will be published by Nick Hern books in 2011. Andrew Tidmarsh is a theatre director, film-maker and teacher. He has taught at leading drama schools and currently runs the Foundation course at RADA. He has directed work at Soho Theatre, Wimbledon Studio, Shakespeare's Globe and Jermyn Street Theatre. Author affiliation details are correct at time of print publication.

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Genre : A Guide to Writing for Stage and Screen

Bloomsbury Methuen Drama, 2014

Books

...By beginning with Greek Tragedy, we are not only beginning at the start of our Western tradition of narrative, but are also beginning with the genre that requires the most attention to shape or form. Examining how Greek Tragedy functions...

Exodus, Ἔξοδος: In search of a contemporary catharsis

Contemporary Adaptations of Greek Tragedy : Auteurship and Directorial Visions

Bloomsbury Methuen Drama, 2017

Books

...Greek tragedy has helped shape our understanding of life, trauma, violence, war, life and death. It is the ‘mother’ of many contemporary theatrical narratives and it still manages to inform, educate, entertain, engage, shock and transform...

Ancient Ideas

Darren Royston

Darren Royston is a Dance and Movement Tutor and Choreographer at RADA, and the Artistic Director and Choreographer for Nonsuch History and Dance. He is council member of many professional organisations including The Laban Guild for Movement and Dance, The European Association of Dance Historians, DANCE UK Choreographers' Forum and the Early Dance Circle (UK) and a member of UNESCO International Council for Dance. Author affiliation details are correct at time of print publication.

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Dramatic Dance : An Actor’s Approach to Dance as a Dramatic Art

Bloomsbury Methuen Drama, 2014

Books

...Within the Time Frame The classical period of Greece and Rome. From Homer to the Decline of the Roman Empire (approximately 800 bc to ad 500). Communities established around city...

Greek drama

Sheila Jackson

Sheila Jackson, a designer in television for many years, was responsible for the costumes of the now classic series Upstairs, Downstairs. A former teacher she was ideally placed to offer advice on the costume problems which arise in all kinds of production, advice she shared in Costumes for the Stage (1978, 2001) and More Costumes for the Stage (1998). She lived in Camden Town, London, her garden providing the inspiration for her 1994 book Blooming Small: A City Dweller’s Garden. She died in 2011, one month shy of her 89th birthday. Author affiliation details are correct at time of print publication.

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Costumes for the Stage : A complete handbook for every kind of play

Bloomsbury Methuen Drama, 2001

Books

...Costumes for Greek plays are easy to make and can be made on a fairly low budget from butter muslin (cheesecloth), old sheets, towelling (terrycloth) and old curtains. If you can afford them, soft crêpe (particularly wool crêpe) and various...
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...Age recommendation: 15+ (some strong, bloody images) This archive recording was captured on 4th July, 2012. In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring...
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...Sophocles' Theban plays – Oedipus Tyrannos, Oedipus at Colonos and Antigone – stand at the fountainhead of world drama; they tell the story of Oedipus, Jocasta and Antigone, and the ancient Greek theme of power, both mortal and godlike...
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...This Greek tragedy tells the story of Oedipus, King of Thebes and husband of Jocasta. When the discovery is made that he is the son of the same Jocasta and of the previous king Laius (whom he has unwittingly murdered), Oedipus blinds...

The Plate of Sardines

Andrew Tidmarsh

Andrew Tidmarsh is theatre and film director, writer and teacher. He has taught this practical approach to genre to writers, directors and actors at RADA, Goldsmiths, and Drama Centre at undergraduate and postgraduate level. He has directed in UK, Germany, Canada and Philippines, and is the director of an annual new writing festival at the Soho Theatre in London. He regularly teaches in Canada and Dubai. His book An Attitude for Acting will be published by Nick Hern books in 2011. Andrew Tidmarsh is a theatre director, film-maker and teacher. He has taught at leading drama schools and currently runs the Foundation course at RADA. He has directed work at Soho Theatre, Wimbledon Studio, Shakespeare's Globe and Jermyn Street Theatre. Author affiliation details are correct at time of print publication.

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Genre : A Guide to Writing for Stage and Screen

Bloomsbury Methuen Drama, 2014

Books

...Comedy of Action is distinct from character-based comedy. In Comedy of Action the audience’s response arises from the situation that the characters find themselves in, and it is the arising problem that requires a solution. While...

Ariane Mnouchkine’s Les Atrides: Uncovering a classic

Contemporary Adaptations of Greek Tragedy : Auteurship and Directorial Visions

Bloomsbury Methuen Drama, 2017

Books

...As sociologist Jean Duvignaud once put it, there is something incredibly odd about meeting up in a dark room to watch a group of people play out a text written several centuries ago (1965: 56). This is precisely what theatre aficionados do...

First Approach: Pre-Historical & Archaeological

Alan Read

Alan Read is Professor of Theatre at King's College, London, UK. He was Director of the Council of Europe Workshop on Theatre and Communities, and Rotherhithe Theatre Workshop in the Docklands area of South East London, in the 1980s, worked as a freelance writer in Barcelona and as Director of Talks at the Institute of Contemporary Arts in the 1990s and was the first Professor of Theatre at Roehampton University and then King's College London between 1997 and the present. He is the author of Theatre & Everyday Life: An Ethics of Performance (1993) and Theatre, Intimacy & Engagement: The Last Human Venue (2008). He is the founding consultant editor of Performance Research journal. Author affiliation details are correct at time of print publication.

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Theatre in the Expanded Field: Seven Approaches to Performance

Bloomsbury Methuen Drama, 2013

Books

...The room that you are reading this in almost certainly has walls. I would like you to look up for a moment from the page and look at them. They could be the walls of a café, a library or a waiting room, but you will know they are your walls...