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Mark Valdez

Joseph Danan

Sheila Jackson, a designer in television for many years, was responsible for the costumes of the now classic series Upstairs, Downstairs. A former teacher she was ideally placed to offer advice on the costume problems which arise in all kinds of production, advice she shared in Costumes for the Stage (1978, 2001) and More Costumes for the Stage (1998). She lived in Camden Town, London, her garden providing the inspiration for her 1994 book Blooming Small: A City Dweller’s Garden. She died in 2011, one month shy of her 89th birthday. Author affiliation details are correct at time of print publication.

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

Christina Gutekunst has been coaching and teaching voice for over twelve years, both in Germany and England. She is Head of Voice at East 15 Acting School at the University of Essex. Author affiliation details are correct at time of print publication.

John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, Gillett has worked for the Actors Centre, East 15, Mountview, Rose Bruford College, Italia Conti, and Arts Educational. Author affiliation details are correct at time of print publication.

Sheila Jackson, a designer in television for many years, was responsible for the costumes of the now classic series Upstairs, Downstairs. A former teacher she was ideally placed to offer advice on the costume problems which arise in all kinds of production, advice she shared in Costumes for the Stage (1978, 2001) and More Costumes for the Stage (1998). She lived in Camden Town, London, her garden providing the inspiration for her 1994 book Blooming Small: A City Dweller’s Garden. She died in 2011, one month shy of her 89th birthday. Author affiliation details are correct at time of print publication.

Eilon Morris is a core member of DUENDE and OBRA Theatre Co, in which he works as a performer, composer and trainer. A percussionist and theatre practitioner, Eilon completed a PhD at Huddersfield University in 2013 examining the role of rhythm in psychophysical actor training and has contributed to the book Encountering Ensemble (2013) as well as having work published and presented in Stanislavski Studies, Total Theatre Magazine and at various international conferences. Eilon performs and teachers throughout Europe, presenting workshops and masterclasses at universities and other training centres. Author affiliation details are correct at time of print publication.

Jackie Snow is Senior Lecturer in Acting, at Manchester School of Heart. Previously the Head of Movement at the Royal Academy of Dramatic Art, she trained at the London College of Dance and Drama (Dance) Guildhall School of Music and Drama (movement for Actors) where she went on to train actors for 20 years before coming to RADA. Other teaching includes BADA, LAMDA, Rose Bruford and Regents University (Virginia, USA). She has worked extensively in the theatre having been Master of Movement at the Globe Theatre for three years. She also teaches for the British American Drama Academy summer school and works with actors as a movement consultant on feature films. Author affiliation details are correct at time of print publication.

Jackie Snow is Senior Lecturer in Acting, at Manchester School of Heart. Previously the Head of Movement at the Royal Academy of Dramatic Art, she trained at the London College of Dance and Drama (Dance) Guildhall School of Music and Drama (movement for Actors) where she went on to train actors for 20 years before coming to RADA. Other teaching includes BADA, LAMDA, Rose Bruford and Regents University (Virginia, USA). She has worked extensively in the theatre having been Master of Movement at the Globe Theatre for three years. She also teaches for the British American Drama Academy summer school and works with actors as a movement consultant on feature films. Author affiliation details are correct at time of print publication.