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Appendix

Sarah Kozinn

Dr Sarah Kozinn is a Mellon postdoctoral fellow in the Department of Theater at Occidental College in Los Angeles, California, USA. She is a scholar of law and performance, develops new works for film, TV and the web, and acts professionally in film, theater and television. Author affiliation details are correct at time of print publication.

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Justice Performed : Courtroom TV Shows and the Theaters of Popular Law

Bloomsbury Methuen Drama, 2015

Books

...This is a comprehensive list of reality courtroom TV programs, but it is possible that some shows may be missing from this list. The descriptions that follow focus on programs airing during my research period, so not every program...

Becoming the People's Judges: Staging Reality Courtroom TV Law

Sarah Kozinn

Dr Sarah Kozinn is a Mellon postdoctoral fellow in the Department of Theater at Occidental College in Los Angeles, California, USA. She is a scholar of law and performance, develops new works for film, TV and the web, and acts professionally in film, theater and television. Author affiliation details are correct at time of print publication.

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Justice Performed : Courtroom TV Shows and the Theaters of Popular Law

Bloomsbury Methuen Drama, 2015

Books

...The picture of judicial plurality painted by the ethnically and racially diverse reality courtroom TV judges misrepresents the demography of judges sitting on state and federal benches...
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...In the mid-1950’s, the House Un-American Activities Committee began investigating the communist influence in the entertainment industry. This searing docudrama from actual transcripts of the hearings reveals how decent people were persuaded...

The Law/Theater Continuum: Performing Real Disputes on Courtroom Stages

Sarah Kozinn

Dr Sarah Kozinn is a Mellon postdoctoral fellow in the Department of Theater at Occidental College in Los Angeles, California, USA. She is a scholar of law and performance, develops new works for film, TV and the web, and acts professionally in film, theater and television. Author affiliation details are correct at time of print publication.

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Justice Performed : Courtroom TV Shows and the Theaters of Popular Law

Bloomsbury Methuen Drama, 2015

Books

...Cristina Perez, phone interview October 7, 2008. When we talk about reality TV, court shows, in my opinion, are the ultimate unscripted drama because they are told with passion by the people directly...
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...Take an unforgettable ride with the classic sketches that helped make this America’s foremost comedy troupe. The Second City lampoons every aspect of modern American life, with brilliant improvised sketches on subjects ranging from salad...
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...The onscreen pairing of Lucille Ball and Desi Arnaz is at the heart of one of the most popular TV shows in history. Who would have thought that to get on the air, they had to battle both a network and a sponsor who thought the show couldn't...

Introduction to the 1950s

David Pattie

David Pattie is Professor of Drama at the University of Chester, UK. Series editors: Richard Boon, Emeritus Professor of Drama, the University of Hull, UK, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds, UK. Author affiliation details are correct at time of print publication.

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Modern British Playwriting: The 1950s

Bloomsbury Methuen Drama, 2012

Books

...‘They are scum,’ was Mr Maugham’s famous verdict on the class of state aided university students to which Kingsley Amis’ Lucky Jim belongs; and since Mr Maugham seldom says anything controversial or uncertain of wide acceptance, his opinion...

Dionysus in 1966

David Zerbib

David Zerbib teaches Philosophy of Art and Aesthetics at the University of Paris 1 Panthéon-Sorbonne and at the Geneva University of Art and Design. His research interests concern the theory of performance and the aesthetics of performance art. He develops his activity through different academic, artistic and cultural contexts. Among his recent publications: ‘The Four Parameters of the Ontology of Performance (and their doubles)’ in Performance: life of the archive and topicality, AICA/Presses du réel (forthcoming); ‘The myth of the active subject: An interview with Claire Bishop,’ in The Work of Art as Dispositif: Setting the Stage for Audience Participation, France: CNRS (forthcoming); ‘Is performance performative?’ Art press 2, n°18, august-october 2010; ‘The performantial regime of the work of art,’ (Art Press 2, nov 2007- janv 2008). He curated Ce qui perd forme, an exhibition devoted to the history of performance art, in Toulouse, France (2010) and is the editor of In Octavo. Des formats de l’art, (France: Presses du réel, 2014). Author affiliation details are correct at time of print publication.

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Performance Studies in Motion : International Perspectives and Practices in the Twenty-First Century

Bloomsbury Methuen Drama, 2014

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...‘The theatre was taken in by the Church in the Middle Ages, then some time around the Renaissance it was emancipated, or thrown out from the Church, whence it was taken in by literature; and I think in these last few days it’s being thrown...
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...Age recommendation: 12+ (contains references to suicide) Recorded through National Theatre Live on 1st September, 2016. A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed...
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...A BBC/KCET Hollywood co-production, Copenhagen is a stylish screen adaptation of Michael Frayn’s award winning stage-play about science, friendship and the uncertainty of things. In 1941, the German physicist Werner Heisenberg made...