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Conclusion

Aleks Sierz

Aleks Sierz is Visiting Research Fellow at Rose Bruford College, and author of In-Yer-Face Theatre: British Drama Today (Faber, 2001) and The Theatre of Martin Crimp (Methuen Drama, 2006). He also works as a journalist, broadcaster, lecturer and theatre critic. Author affiliation details are correct at time of print publication.

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Rewriting The Nation

Bloomsbury Methuen Drama, 2011

Books

...Jeremy And you are Jamaican? British? What do you guys call yourselves now? Lavelle (ignores) Whatever.In the 2000s, British new writing took a wide variety of forms, and grasped the opportunity to stage an ongoing conversation...

Part Five: Introduction

Jonathan Pitches

Jonathan Pitches is Professor of Theatre and Performance and Director of Research in the School of Performance and Cultural Industries at Leeds University. He is the author and/or editor of four books, three of which relate to actor training and is the founding co-editor of the Routledge journal, Theatre Dance and Performance Training. Author affiliation details are correct at time of print publication.

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Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

...The autonomy of distance and theatrical ethics: Stanislavsky in Australia and Aotearoa/New Zealand One of the landmark publications interrogating Australia’s relationship to the rest of world was first published in 1966 and revised again...

Stanislavsky in Aotearoa: The System Experienced through the Māori World

Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

...Introduction An open space – a bare stage – the dimming theatre lights illuminate a woman’s haunted face. Wordlessly she makes a decision to walk into the ocean to end her life and to return to the spirit world of her...

Contemporary Collaborators II: Magnet Theatre

The Methuen Drama Guide to Contemporary South African Theatre

Bloomsbury Methuen Drama, 2015

Books

...Introduction In 2012, South Africa’s Magnet Theatre Company celebrated its 25th year of creating an original repertoire of performance events that emphasize the primacy of the body. A distinctive aspect of this company...

Part Three: Introduction

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

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Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

...Beyond realism: Stanislavsky in Latin America That Stanislavsky’s system was developed for sole application to realistic and naturalistic play-texts is a misconception that harks back to the system’s own early formulations. In fact...

Contemporary Collaborators I: Kentridge/Handspring/Taylor

The Methuen Drama Guide to Contemporary South African Theatre

Bloomsbury Methuen Drama, 2015

Books

...Ubu and the Truth Commission; Zeno at 4 am; 2½ or 3: Confessions of Zeno Introduction Modern aesthetic conceptions of collaboration...

Part Four: Introduction

Stefan Aquilina

Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on ‘everyday life’. Aquilina also runs a research project called ‘Performance Lineage: the Russian Tradition of Actor Training’ through a grant offered by the University of Malta. Author affiliation details are correct at time of print publication.

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Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

...In between binaries and paradoxes: Stanislavsky in Africa Scholarship about theatre and performance in Africa is often framed in ways that overshadows actor training practices on the African continent. Recurrent themes around which...

Jenny McLeod

Rage and Reason : Women Playwrights on Playwriting

Bloomsbury Methuen Drama, 1997

Books

...Jenny McLeod, as she says herself, simply loves writing, and, fuelled by her passion, she has produced a significant amount of work in different media over the last ten years. She began writing plays in the middle of her A-levels when she...

Popular Community Theatre

The Methuen Drama Guide to Contemporary South African Theatre

Bloomsbury Methuen Drama, 2015

Books

...The Seed; To Be Like This Rock ( Umsindo Theatre Projects) The Milk Factory; Fikile (Emuhle All Artists) Introduction During the apartheid...

Part Six: Introduction

Jonathan Pitches

Jonathan Pitches is Professor of Theatre and Performance and Director of Research in the School of Performance and Cultural Industries at Leeds University. He is the author and/or editor of four books, three of which relate to actor training and is the founding co-editor of the Routledge journal, Theatre Dance and Performance Training. Author affiliation details are correct at time of print publication.

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Stanislavsky in the World : The System and its Transformations Across Continents

Bloomsbury Methuen Drama, 2017

Books

...Two poles of hybridity: Stanislavsky in India and Bangladesh The ex-Director of the National School of Drama (NSD) in New Delhi, Anuradha Kapur, suggests that there have been three phases to the history...